Architecture and Politics in Republican Rome

Häftad, Engelska, 2020

669 kr

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Architecture and Politics in Republican Rome is the first book to explore the intersection between Roman Republican building practices and politics (c.509-44 BCE). At the start of the period, architectural commissions were carefully controlled by the political system; by the end, buildings were so widely exploited and so rhetorically powerful that Cassius Dio cited abuse of visual culture among the reasons that propelled Julius Caesar's colleagues to murder him in order to safeguard the Republic. In an engaging and wide-ranging text, Penelope J. E. Davies traces the journey between these two points, as politicians developed strategies to manoeuver within the system's constraints. She also explores the urban development and image of Rome, setting out formal aspects of different types of architecture and technological advances such as the mastery of concrete. Elucidating a rich corpus of buildings that have been poorly understand, Davies demonstrates that Republican architecture was much more than a formal precursor to that of imperial Rome.

Produktinformation

Utgivningsdatum2020-06-09
Mått217 x 278 x 18 mm
Vikt1 060 g
FormatHäftad
SpråkEngelska
Antal sidor376
FörlagCambridge University Press
ISBN9781107476110

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Penelope J. E. Davies is Associate Professor in the Department of Art and Art History at the University of Texas, Austin. She earned her PhD in Classical Archaeology from Yale University, Connecticut. Her work focuses on public monuments of Rome and their propagandistic functions. Author of Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius (Cambridge, 2000), she also co-authored Janson's History of Art, 7th and 8th editions (2006, 2011).

'In this perceptive book Davies interrogates the evolving, mutually exploitative exchange between architecture and politics in Rome of the Republic. Drawing on deep research, she expertly reveals how such factors as term limits, religious traditions, materials, and cultural shifts constrained and enriched politicians and architectural projects alike. It is an informative and compelling story, told with verve and insight.' Diane Favro, University of California, Los Angeles