Edited by Domingo Sanz, Inés; Fiore, Dánae; May, Sally K

• 1: Archaeologies of Art: Time, Place, and Identity in Rock Art, Portable Art, and Body Art; 2: Space and Discourse as Constituents of Past Identities – The Case of Namibian Rock Art; 3: Rocks of Ages: Petroglyphs, Pictographs, and Identity in Puerto Rico; 4: Rock Art, Modes of Production, and Social Identities during the Early Formative Period in the Atacama Desert (Northern Chile); 5: From the Form to the Artists: Changing Identities in Levantine Rock Art (Spain); 6: Memoried Sacredness and International Elite Identities: The Late Postclassic at La Casa de las Golondrinas, Guatemala; 7: Same Tradition, Different Views: The Côa Valley Rock Art and Social Identity; 8: Learning Art, Learning Culture: Art, Education, and the Formation of New Artistic Identities in Arnhem Land, Australia; 9: Eagle's Reach: A Focal Point for Past and Present Social Identity within the Northern Blue Mountains World Heritage Area, Australia; 10: Panache and Protocol in Australian Aboriginal Art; 11: Body Painting and Visual Practice: The Creation of Social Identities through Image Making and Display in Tierra del Fuego (Southern South America)

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Edited by Domingo Sanz, Inés; Fiore, Dánae; May, Sally K

• 1: Archaeologies of Art: Time, Place, and Identity in Rock Art, Portable Art, and Body Art; 2: Space and Discourse as Constituents of Past Identities – The Case of Namibian Rock Art; 3: Rocks of Ages: Petroglyphs, Pictographs, and Identity in Puerto Rico; 4: Rock Art, Modes of Production, and Social Identities during the Early Formative Period in the Atacama Desert (Northern Chile); 5: From the Form to the Artists: Changing Identities in Levantine Rock Art (Spain); 6: Memoried Sacredness and International Elite Identities: The Late Postclassic at La Casa de las Golondrinas, Guatemala; 7: Same Tradition, Different Views: The Côa Valley Rock Art and Social Identity; 8: Learning Art, Learning Culture: Art, Education, and the Formation of New Artistic Identities in Arnhem Land, Australia; 9: Eagle's Reach: A Focal Point for Past and Present Social Identity within the Northern Blue Mountains World Heritage Area, Australia; 10: Panache and Protocol in Australian Aboriginal Art; 11: Body Painting and Visual Practice: The Creation of Social Identities through Image Making and Display in Tierra del Fuego (Southern South America)

Select Guide Rating

Edited by Domingo Sanz, Inés; Fiore, Dánae; May, Sally K

• 1: Archaeologies of Art: Time, Place, and Identity in Rock Art, Portable Art, and Body Art; 2: Space and Discourse as Constituents of Past Identities – The Case of Namibian Rock Art; 3: Rocks of Ages: Petroglyphs, Pictographs, and Identity in Puerto Rico; 4: Rock Art, Modes of Production, and Social Identities during the Early Formative Period in the Atacama Desert (Northern Chile); 5: From the Form to the Artists: Changing Identities in Levantine Rock Art (Spain); 6: Memoried Sacredness and International Elite Identities: The Late Postclassic at La Casa de las Golondrinas, Guatemala; 7: Same Tradition, Different Views: The Côa Valley Rock Art and Social Identity; 8: Learning Art, Learning Culture: Art, Education, and the Formation of New Artistic Identities in Arnhem Land, Australia; 9: Eagle's Reach: A Focal Point for Past and Present Social Identity within the Northern Blue Mountains World Heritage Area, Australia; 10: Panache and Protocol in Australian Aboriginal Art; 11: Body Painting and Visual Practice: The Creation of Social Identities through Image Making and Display in Tierra del Fuego (Southern South America)

Select Guide Rating