“Evolving from her fascinating previous work concerning hands-on diagnosis in Chinese medicine, Judith Farquhar engages cultural artifacts of all kinds to probe the release of the passions in post-Maoist China. This is by far the most successful application to ethnography of the often confused and overly abstract discussions of the body as a central trope and object of recent culture theory.”-George Marcus, Rice University “Judith Farquhar has done an exquisite job of clarifying why it makes sense to write a text that ranges across Chinese medicine, food, and sex, and how they are intimately linked through the specificities of appetites, desires, and anxieties about the body. Farquhar beautifully delineates how embodiment is historically and politically produced, how it forms the nexus of numerous enactments, some allegorical, some very concrete in terms of the body’s well being, but all linked to post-socialist Chinese life.”-Lisa Rofel, University of California, Santa Cruz