Edited by J.R. Rollwagen State University of New York, Brockport.

• Introduction to the Series, Introduction, Collaboration in Ethnographic Filmmaking: A Personal View, Anthropologists and Ethnographic Filmmaking, Against Reductionism and Idealist Self-Reflexivity: The Ilparakuyo Maasai Film Project, Visual Anthropology And The Future of Ethnographic Film, Third Eye: Some Reflections On Collaboration For Ethnographic Film, SOUTHEAST NUBA: A Biographical Statement, What To Tell And How To Show It: Issues In Anthropological Filmmaking, An Interview, Gone With The Gael: Filming In An Irish Village, The Controversy About Kypseli, New Guinea In Italy: An Analysis Of The Making Of An Italian Television Series From Research Footage Of The Maring People Of Papua New Guinea, On The Making Of EZE-NWATA - THE SMALL KING, Filming As Teleological Process, Structure and Message in TROBRIAND CRICKET, Autobiographical Filming As An Ethnographic Tool. Filming the Fidencistas: The Making of WE BELIEVE IN NINO FIDENCIO, European Visual Anthropology: Filming In A Greek Village, The Role of Anthropological Theory in Ethnographic” Filmmaking, Imaging Anthropology, Choices and Constraints in Filming in Central Asia, CONTRIBUTORS, INDEX