Anthology for Music in the Nineteenth Century

Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903–1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903–1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.

• 1. Nineteenth-Century Music and Its Contexts 2. The Romantic Imagination3. Music and the Age of Metternich4. The Opera Industry5. Making Music Matter: Criticism and Performance6. Making Music Speak: Program Music and the Character Piece7. Beyond Romanticism8. Richard Wagner and Wagnerism9. Verdi, Operetta, and Popular Appeal10. Concert Culture and the “Great” Symphony11. Musical Life and Identity in the United States12. The Fin de Siècle and the Emergence of Modernism13. The Sound of Nineteenth-Century Music