Animal Stories

Susan McHugh is associate professor of English at University of New England.

• AcknowledgmentsIntroduction: Animal Narratives and Social AgencyPart I. Intersubjective Fictions1. Seeing Eyes/Private Eyes: Service Dogs and Detective Fictions2. Velvet Revolutions: Professions of Girl-Horse StoriesPart II. Intercorporeal Narratives3. Breeding Narratives of Intimacies: Shaggy Dog to Shagging Sheep Stories4. Farm Animal Fictions and Futures: Semi-Living to GMO Pig TalesConclusion: Toward a Narrative EthologyNotesIndex

"Susan McHugh offers a cultural history of human-animal relationships in the twentieth and twenty-first centuries as traced in imaginative as well as scientific and political work. McHugh challenges us to rethink how we conceptualize the creatures involved. Animal Stories thus tells us as much about animals as it does about the role of the human imagination and as such will be necessary reading for all those interested in reading literature with other media and in thinking ethically about our place in the natural world." -Erica Fudge, author of Animal"An important contribution to the study of the posthumanities." -CHOICE"For readers interested in truly original insights into twentieth-century animal narratives and their intersections with lives shared across species." -Humanimalia"McHugh’s ambitious effort to establish the sustained importance of animal life in the margins of literary studies, the artistic arena in which animals have perhaps been most rigorously and consistently jettisoned to the status of metaphor, is to be commended. Her success in this project is largely due to her keen attention to the visual registers of narrative, and future scholarship in the field will doubtless be enriched by her innovative focus." -Reviews in Cultural Theory"By using narrative forms to navigate between the paradigms of literary studies and ethology, McHugh offers new insights into the complexity of what it means to live with other species and to write with them in mind." -Organization and Environment"As McHugh’s study of animal stories shows, in the twentieth century and the last ten years, literary and visual artists have registered the need to innovate the forms of representation and extend the franchise beyond the human-or, as she might say, with the nonhuman. In a time characterized by growing awareness of the ravages of climate change, unprecedented loss of biodiversity, and the host of political, social, and economic problems engendered by exponential human population growth, these innovative forms make undeniable claims on us and deserve the utmost consideration." -Configurations