Maria Artamonova is a graduate of St Petersburg State University and holds a doctorate in Old English from the University of Oxford. She is an Oxfordshire-based translator and also teaches medieval and fantasy literature.

• Introduction - Nicholas Perkins and David ClarkFrom Heorot to Hollywood: Beowulf in its Third Millennium - C S JonesPriming the Poets: the Making of Henry Sweet's Anglo-Saxon Reader - M AthertonOwed to Both Sides: W.H. Auden's Double Debt to the Literature of the North - Heather O'DonoghueWriting for an Anglo-Saxon Audience in the Twentieth Century: J.R.R. Tolkien's Old English Chronicles - Maria Artamonova'Wounded men and wounded trees': David Jones and the Anglo-Saxon Culture Tangle - Anna JohnsonBasil Bunting, Briggflatts, Lindisfarne, and Anglo-Saxon Interlace - Clare LeesBOOM: Seeing Beowulf in Pictures and Print - Sian EchardWindow in the Wall: Looking for Grand Opera in John Gardner's Grendel - Allen J. FrantzenRe-placing Masculinity: The DC Comics Beowulf Series and its Context, 1975-6 - Catherine A M ClarkeP.D. James Reads Beowulf - John HalbrooksBan Welondes: Wayland Smith in Popular Culture - Maria Sachiko Cecire'Overlord of the M5': The Superlative Structure of Sovereignty in Geoffrey Hill's Mercian Hymns - Hannah J. CrawforthThe Absent Anglo-Saxon Past in Ted Hughes's Elmet - Joshua DaviesResurrecting Saxon Things: Peter Reading, 'species decline', and Old English Poetry - Rebecca Anne Barr

[T]he editors are to be commended for producing a handsomely illustrated, rich collection.

Maria Artamonova is a graduate of St Petersburg State University and holds a doctorate in Old English from the University of Oxford. She is an Oxfordshire-based translator and also teaches medieval and fantasy literature.

• Introduction - Nicholas Perkins and David ClarkFrom Heorot to Hollywood: Beowulf in its Third Millennium - C S JonesPriming the Poets: the Making of Henry Sweet's Anglo-Saxon Reader - M AthertonOwed to Both Sides: W.H. Auden's Double Debt to the Literature of the North - Heather O'DonoghueWriting for an Anglo-Saxon Audience in the Twentieth Century: J.R.R. Tolkien's Old English Chronicles - Maria Artamonova'Wounded men and wounded trees': David Jones and the Anglo-Saxon Culture Tangle - Anna JohnsonBasil Bunting, Briggflatts, Lindisfarne, and Anglo-Saxon Interlace - Clare LeesBOOM: Seeing Beowulf in Pictures and Print - Sian EchardWindow in the Wall: Looking for Grand Opera in John Gardner's Grendel - Allen J. FrantzenRe-placing Masculinity: The DC Comics Beowulf Series and its Context, 1975-6 - Catherine A M ClarkeP.D. James Reads Beowulf - John HalbrooksBan Welondes: Wayland Smith in Popular Culture - Maria Sachiko Cecire'Overlord of the M5': The Superlative Structure of Sovereignty in Geoffrey Hill's Mercian Hymns - Hannah J. CrawforthThe Absent Anglo-Saxon Past in Ted Hughes's Elmet - Joshua DaviesResurrecting Saxon Things: Peter Reading, 'species decline', and Old English Poetry - Rebecca Anne Barr

[T]he editors are to be commended for producing a handsomely illustrated, rich collection.

Maria Artamonova is a graduate of St Petersburg State University and holds a doctorate in Old English from the University of Oxford. She is an Oxfordshire-based translator and also teaches medieval and fantasy literature.

• Introduction - Nicholas Perkins and David ClarkFrom Heorot to Hollywood: Beowulf in its Third Millennium - C S JonesPriming the Poets: the Making of Henry Sweet's Anglo-Saxon Reader - M AthertonOwed to Both Sides: W.H. Auden's Double Debt to the Literature of the North - Heather O'DonoghueWriting for an Anglo-Saxon Audience in the Twentieth Century: J.R.R. Tolkien's Old English Chronicles - Maria Artamonova'Wounded men and wounded trees': David Jones and the Anglo-Saxon Culture Tangle - Anna JohnsonBasil Bunting, Briggflatts, Lindisfarne, and Anglo-Saxon Interlace - Clare LeesBOOM: Seeing Beowulf in Pictures and Print - Sian EchardWindow in the Wall: Looking for Grand Opera in John Gardner's Grendel - Allen J. FrantzenRe-placing Masculinity: The DC Comics Beowulf Series and its Context, 1975-6 - Catherine A M ClarkeP.D. James Reads Beowulf - John HalbrooksBan Welondes: Wayland Smith in Popular Culture - Maria Sachiko Cecire'Overlord of the M5': The Superlative Structure of Sovereignty in Geoffrey Hill's Mercian Hymns - Hannah J. CrawforthThe Absent Anglo-Saxon Past in Ted Hughes's Elmet - Joshua DaviesResurrecting Saxon Things: Peter Reading, 'species decline', and Old English Poetry - Rebecca Anne Barr

[T]he editors are to be commended for producing a handsomely illustrated, rich collection.