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Daniela Keller - Anglo-German Entanglements in English Fiction, Inbunden

Inbunden, Engelska, 2025

Del i serien New Critical Humanities

Anglo-German Entanglements in English Fiction

From the Cold War to Brexit

Av Daniela Keller

1909 kr

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Beskrivning
Through a diffractive reading of seven English novels, Daniela Keller redefines the deeply intertwined and continuously developing relationship between England and Germany.The relationship between England and Germany has fluctuated between friendship and animosity on both sides throughout the centuries and Brexit has driven another wedge between the two countries. This study shows how writers have employed physical phenomena, such as quantum entanglement, to move beyond an alleged fixed binary opposition between the nations. In novels, such as John le Carré’s The Spy Who Came In from the Cold or Alison Moore’s The Lighthouse, our understandings of nation and national identity emerge as more flexible and inextricable from their opponent Others. The physical phenomena and optical metaphors of reflection, refraction, and diffraction are applied to hone the differences between various kinds of binary relations, such as England and Germany or physics and fiction. Diffraction and diffractive reading, inspired by Karen Barad, deliver the most accurate and progressive methods of reading literature because they best capture and acknowledge the complexity of stubbornly dualistic mindsets. They also draw attention to the responsibility of readers and their role in constructing Anglo-German identities through every act of reading.
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Daniela Keller holds a PhD in English Literature from the University of Basel, Switzerland.

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Daniela Keller’s study on Anglo-German Entanglements in English Fiction offers a much-needed exploration of an undervalued literary space. As a shining example of advanced literary scholarship, it presents this exploration in the shape of an ingenious masterstroke by drawing on optics as a provider of analytical concepts to shed light on the very characteristics of these literary ‘entanglements’. The result is a convincingly ‘diffractive’ (as opposed to deconstructive) reading of comprehensively chosen examples of English authors’ engagements with German motives since the Cold War until the political and psychological watershed of Brexit. Keller’s study is indispensable reading for anyone interested in this field of intercultural research.

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