Ancient and Honourable Citizen of Florence

The Bargello and Dante

Häftad, Engelska, 2025

AvLuca Azzetta,Sonia Chiodo,Teresa De Robertis

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The exhibition An Ancient and Honorable Citizen of Florence - The Bargello and Dante, sponsored by the Comitato Nazionale per le Celebrazioni del 700° Anniversario della morte di Dante Alighieri, is the result of the inter-institutional partnership between the Musei del Bargello and the Università di Firenze, and sees the collaboration between the Departments of Literature and Philosophy (DILEF) and of History, Archaeology, Geography, Art and Entertainment (SAGAS) of the University of Florence. The Bargello is Dante’s place par excellence in Florence: here you can find the oldest portrait of Dante, painted by Giotto and his work in 1337, a period during which the Divina Commedia was being spread throughout the city. The catalogue – rich with essays and extracts by numerous specialists – illustrates the complex link between Dante, his work and Florence, analysing the dense network of relationships between painters, illuminators, copyists and commentators, engaged in an unprecedented editorial and artistic enterprise. The volume is enriched with illustrations of the works on display and illuminated manuscripts, as well as a precious final photographic atlas of the murals in the Podestà chapel, which houses the poet’s portrait. Dante was very often a frequenter of the different rooms as a prior of the Bargello and in these same rooms he received both his sentence of exile, and his sentence to death (March 10, 1302). The reconstruction of the delicate relationship between the Poet and Florence assumes an importance that goes far beyond city borders, indelibly investing the history of Dante’s fortune and the way in which we still look at him and his work today.

Produktinformation

Utgivningsdatum2025-05-12
Mått245 x 290 x 27 mm
Vikt2 100 g
FormatHäftad
SpråkEngelska
SerieMandragora
Antal sidor380
FörlagMandragora
ISBN9788874615612

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Luca Azzetta studied under Giuseppe Billanovich at the Università Cattolica of Milan, taking his degree with a thesis on vernacular translations of the first ten books of Livy. He is Associate Professor in Philology of Italian Literature at the University of Florence. He is a member of the executive committee of the Centro Pio Rajna for research in linguistics, philology and literature; of the organising and advisory committee of the Pontifical Council for Culture for the Dante Septicentennial; and of the college of instructors of the PhD course in Philology, Italian Literature and Linguistics, which is currently offered at the University of Florence. He is also co-editor of the journal Rivista di Studi danteschi. Sonia Chiodo took her degree at the University of Florence with a thesis on Late Gothic painting in Florence, under the direction of Mina Gregori. She is Associate Professor of Mediaeval Art History at the University of Florence as well as director of the association ‘Corpus della Pittura Fiorentina’. Teresa De Robertis studied under Emanuele Casamassima at the University of Florence, graduating with a thesis on Roman writing. She is Professor of Latin Palaeography and of Diplomatic Studies at the University of Florence. She has taught at the University of Ferrara and at the Palaeography School of the Florence State Archives. She coordinates the PhD programme in Historical Studies at the Universities of Florence and Siena.

PresentationsLuca Azzetta, Sonia Chiodo, Teresa De Robertis, IntroductionSonia Chiodo, Dante, Giotto and the “Comedy” Fragments of a possible discourse in the paintings of the Podestà ChapelAndrea De Marchi, Giotto “magister et gubernator” in the service of the city. His school and the reconstruction of Florentine communal identity following the 1333 floodAndrea Zorzi, Events in Florence between Dante’s convictionand the expulsion of the Duke of Athens Luca Azzetta, Dante’s return to FlorenceGiuliano Milani, Florence, Giovanni Villani, and Dante in the second quarter of the 14th centuryTeresa De Robertis, Dante as a bookGiovanna Frosini, Stability and change in the language of Florence before the plagueCATALOGUEPlaces of condemnation, time for redemptionSonia Chiodo, Justice and charity, condemnation and nemesisDante and the Comedy in Florence in the 1330s and 1340sFrancesca Pasut, The invention of a canonArtists and scribes of the ComedyIII.1 Sonia Chiodo, Stories told through images by Pacino di Bonaguida and the Master of the Dominican EffigiesIII.2 Teresa De Robertis, Francesco di ser Nardo da BarberinoIII.3 Irene Ceccherini, A widespread scriptorium: scribes and notariesReading Dante in Florence IV.1. Andrea Mazzucchi, Florentine commentaries: from the “Chiose Palatine” to Andrea LanciaIV.2. Marco Petoletti, Circulation of books and reading of the classics (alongside the “Comedy”)The construction of memoryMonica Berté, The biography of Dante: history and legendThe language of documents in Florence after DanteGiovanna Frosini, Florentine texts relating to the market, arts and sciences after Danteatlas. The paintings in the Podestà ChapelBibliographical references 351Index of manuscripts and archive documents371Index of names and anonymous worksPhotographic credits