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Carl Rollyson - Amy Lowell Anew, Inbunden

Inbunden, Engelska, 2013

Del i serien Rowman & Littlefield Publishers

Amy Lowell Anew

A Biography

Av Carl Rollyson

879 kr

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Beskrivning
The controversial American poet Amy Lowell (1874-1925), a founding member of the Imagist group that included D. H. Lawrence and H. D., excelled as the impresario for the “new poetry” that became news across the U. S. in the years after World War I. Maligned by T. S. Eliot as the “demon saleswoman” of poetry, and ridiculed by Ezra Pound, Lowell has been treated by previous biographers as an obese, sex-starved, inferior poet who smoked cigars and made a spectacle of herself, canvassing the country on lecture tours that drew crowds in the hundreds for her electrifying performances. In fact, Lowell wrote some of the finest love lyrics of the 20th century and led a full and loving life with her constant companion, the retired actress Ada Russell. She was awarded the Pulitzer Prize posthumously in 1926. This provocative new biography, the first in forty years, restores Amy Lowell to her full humanity in an era that, at last, is beginning to appreciate the contributions of gays and lesbians to American’s cultural heritage. Drawing on newly discovered letters and papers, Rollyson’s biography finally gives this vibrant poet her due.
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Carl Rollyson is a professor of journalism at Baruch College, The City University of New York. Rollyson has published more than forty books, including American Isis: The Life and Art of Sylvia Plath and Hollywood Enigma: Dana Andrews. His articles and reviews have appeared in The Wall Street Journal, The Washington Post, The Minneapolis Star Tribune, The Raleigh News & Observer, The Kansas City Star, The Barnes & Noble Review, and The New Criterion. Visit his website: www.carlrollyson.com.

Recensioner i media

'God made me a business woman,' Amy Lowell said, 'and I made myself a poet.' Since Jean Gould's Amy: The World of Amy Lowell and the Imagist Movement (CH, Mar'76), biographers have often focused on the poet's sexuality. This aspect of her life in relation to her poetry is addressed in Amy Lowell, American Modern, ed. by Adrienne Munich and Melissa Bradshaw (CH, Sep'04, 42-0146). Rollyson (Baruch) employs it to present Lowell as a maverick. . . . For Rollyson, Lowell's wealth was a source of authority with promoters and conflict with fellow poets. She was a strong-willed but somewhat isolated character, beset by 'enemies' and most vulnerable in her secretive relationships with younger women. There is little psychological or literary analysis, and one is left to wonder about Lowell's obsession with John Keats, her interest in classical themes, and her nuanced relationship with Ezra Pound. Clearly ambiguous (and rare) moments of feminist conviction in poems like 'The Sisters' are trotted out without explication. The volume is light, but engaging and readable. Summing Up: Recommended. . . . General readers.

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