I.Y. Kratchkovsky (Ignatii Iul'ianovich Krachkovskii) (1883-1951) was a pioneering Russian scholar of Arabic Literature and language, a fellow of the Academy of the U.S.S.R. and Russia's major Arabist under Stalin.

• IntroductionKrachkovskii and Soviet Arabic Studies, or:What is not in Among Arabic Manuscripts by Michael Kemper (Amsterdam)CONTENTSPRELUDE (1943)VIII. IN THE MANUSCRIPT DEPARTMENTPrologue (1901)11. An ancient book (1906)22. A translator of Krïlov (1922)33. A contemporary of Hulagu (1911)54. The hostage of a double prison (1912)65. From Sicily via Persia to St. Petersburg (1928)7Epilogue (1914)9II. FROM WANDERINGS IN THE EAST1. Books and men (1908-1910)112. Grammatical treatise or anti-religious tract? (1910-1932)213. The unwritten thesis (1910)254. The manuscripts of two patriarchs or a prophecy fulfilled (1900-1927)30III. ARAB WRITERS AND THE RUSSIAN ARABIST1. The philosopher of the Freyka valley (1910-1940)402. The aristocrat-fellāḥ of Cairo463. The Poltava seminarist54IV. IN THE ASIATIC MUSEUM1. Introduction to a legend (1903-1934)622. A unique manuscript and scholars of a dozen nations, Eastern and Western743. A contemporary of the first Crusade (1919-1921)804. Vasco da Gama’s pilot86V. IN THE UNIVERSITY LIBRARY1. The librarians and the library (1901-1930)922. A first experience as examiner (1914)1053. From Cairo to the Volkovo cemetery in St. Petersburg (1916-1930)1154. “Al-Andalus” and Leningrad (1906-1942)123VI. “THE GAME COMES RUNNING TO THE HUNTER”1. Bronze tablets from the land of Queen of Sheba (1930)1342. A letter from Sogdiana (1934)1423. The Kufic Qoran and the Arab grandmother (1936)1504. A Russian officer attached to Shamil in Kaluga (1928-1941)155VII. SHADES OF OUR PREDECESSORS1. A martyr for Arabic literature (1910)1632. The “quiet” Girgas (1901-1941)1693. Half a century of work on one manuscript (1903-1938)177FINALE. “Requiem aeternam” (1943)184SUPPLEMENT. “The Bindingness of the Non-binding”186Notes190Postscript194

"There is much to interest the Arabic scholar in these reminiscences of a life working with Arabic texts. Kratchkovsky’s comments on medieval manuscripts are punctuated by his modern epistolary relationships with early twentieth-century greats, such as Amin Rihani, Mikhail Naimy and the Taymur family of Egypt. This book was not intented to be a dry, scholarly tome but to create “propaganda for my branch of study” and have “these reflections find their way into the hearts and minds of my readers”. What he produced is a paean to the enduring pleasures of scholarship, to the joy of making a new discovery in an old library and to the circle of people across the world who make it possible. Although on the surface there is an optimistic faith in human progress, a dark melancholy lies underneath. As Kemper’s introduction reveals, Kratchkovsky did not live his life in an ivory idyll and frequently suffered from dark periods. Lurking in passing references throughout the text are the stories of students and colleagues killed in wars and Soviet purges. If there is a refuge for him, it is in writing. Soviet Russia during the Second World War must have felt like a precarious place where considering, for instance, the handwriting of Abba Antonius of Baghdad from the ninth century was a comfort. More than anything, this is a book about (hand)writing and its endurance. It is propaganda as it should be." Raphael Cormack in Times Literary Supplement, October 26 2016.

I.Y. Kratchkovsky (Ignatii Iul'ianovich Krachkovskii) (1883-1951) was a pioneering Russian scholar of Arabic Literature and language, a fellow of the Academy of the U.S.S.R. and Russia's major Arabist under Stalin.

• IntroductionKrachkovskii and Soviet Arabic Studies, or:What is not in Among Arabic Manuscripts by Michael Kemper (Amsterdam)CONTENTSPRELUDE (1943)VIII. IN THE MANUSCRIPT DEPARTMENTPrologue (1901)11. An ancient book (1906)22. A translator of Krïlov (1922)33. A contemporary of Hulagu (1911)54. The hostage of a double prison (1912)65. From Sicily via Persia to St. Petersburg (1928)7Epilogue (1914)9II. FROM WANDERINGS IN THE EAST1. Books and men (1908-1910)112. Grammatical treatise or anti-religious tract? (1910-1932)213. The unwritten thesis (1910)254. The manuscripts of two patriarchs or a prophecy fulfilled (1900-1927)30III. ARAB WRITERS AND THE RUSSIAN ARABIST1. The philosopher of the Freyka valley (1910-1940)402. The aristocrat-fellāḥ of Cairo463. The Poltava seminarist54IV. IN THE ASIATIC MUSEUM1. Introduction to a legend (1903-1934)622. A unique manuscript and scholars of a dozen nations, Eastern and Western743. A contemporary of the first Crusade (1919-1921)804. Vasco da Gama’s pilot86V. IN THE UNIVERSITY LIBRARY1. The librarians and the library (1901-1930)922. A first experience as examiner (1914)1053. From Cairo to the Volkovo cemetery in St. Petersburg (1916-1930)1154. “Al-Andalus” and Leningrad (1906-1942)123VI. “THE GAME COMES RUNNING TO THE HUNTER”1. Bronze tablets from the land of Queen of Sheba (1930)1342. A letter from Sogdiana (1934)1423. The Kufic Qoran and the Arab grandmother (1936)1504. A Russian officer attached to Shamil in Kaluga (1928-1941)155VII. SHADES OF OUR PREDECESSORS1. A martyr for Arabic literature (1910)1632. The “quiet” Girgas (1901-1941)1693. Half a century of work on one manuscript (1903-1938)177FINALE. “Requiem aeternam” (1943)184SUPPLEMENT. “The Bindingness of the Non-binding”186Notes190Postscript194

"There is much to interest the Arabic scholar in these reminiscences of a life working with Arabic texts. Kratchkovsky’s comments on medieval manuscripts are punctuated by his modern epistolary relationships with early twentieth-century greats, such as Amin Rihani, Mikhail Naimy and the Taymur family of Egypt. This book was not intented to be a dry, scholarly tome but to create “propaganda for my branch of study” and have “these reflections find their way into the hearts and minds of my readers”. What he produced is a paean to the enduring pleasures of scholarship, to the joy of making a new discovery in an old library and to the circle of people across the world who make it possible. Although on the surface there is an optimistic faith in human progress, a dark melancholy lies underneath. As Kemper’s introduction reveals, Kratchkovsky did not live his life in an ivory idyll and frequently suffered from dark periods. Lurking in passing references throughout the text are the stories of students and colleagues killed in wars and Soviet purges. If there is a refuge for him, it is in writing. Soviet Russia during the Second World War must have felt like a precarious place where considering, for instance, the handwriting of Abba Antonius of Baghdad from the ninth century was a comfort. More than anything, this is a book about (hand)writing and its endurance. It is propaganda as it should be." Raphael Cormack in Times Literary Supplement, October 26 2016.

I.Y. Kratchkovsky (Ignatii Iul'ianovich Krachkovskii) (1883-1951) was a pioneering Russian scholar of Arabic Literature and language, a fellow of the Academy of the U.S.S.R. and Russia's major Arabist under Stalin.

• IntroductionKrachkovskii and Soviet Arabic Studies, or:What is not in Among Arabic Manuscripts by Michael Kemper (Amsterdam)CONTENTSPRELUDE (1943)VIII. IN THE MANUSCRIPT DEPARTMENTPrologue (1901)11. An ancient book (1906)22. A translator of Krïlov (1922)33. A contemporary of Hulagu (1911)54. The hostage of a double prison (1912)65. From Sicily via Persia to St. Petersburg (1928)7Epilogue (1914)9II. FROM WANDERINGS IN THE EAST1. Books and men (1908-1910)112. Grammatical treatise or anti-religious tract? (1910-1932)213. The unwritten thesis (1910)254. The manuscripts of two patriarchs or a prophecy fulfilled (1900-1927)30III. ARAB WRITERS AND THE RUSSIAN ARABIST1. The philosopher of the Freyka valley (1910-1940)402. The aristocrat-fellāḥ of Cairo463. The Poltava seminarist54IV. IN THE ASIATIC MUSEUM1. Introduction to a legend (1903-1934)622. A unique manuscript and scholars of a dozen nations, Eastern and Western743. A contemporary of the first Crusade (1919-1921)804. Vasco da Gama’s pilot86V. IN THE UNIVERSITY LIBRARY1. The librarians and the library (1901-1930)922. A first experience as examiner (1914)1053. From Cairo to the Volkovo cemetery in St. Petersburg (1916-1930)1154. “Al-Andalus” and Leningrad (1906-1942)123VI. “THE GAME COMES RUNNING TO THE HUNTER”1. Bronze tablets from the land of Queen of Sheba (1930)1342. A letter from Sogdiana (1934)1423. The Kufic Qoran and the Arab grandmother (1936)1504. A Russian officer attached to Shamil in Kaluga (1928-1941)155VII. SHADES OF OUR PREDECESSORS1. A martyr for Arabic literature (1910)1632. The “quiet” Girgas (1901-1941)1693. Half a century of work on one manuscript (1903-1938)177FINALE. “Requiem aeternam” (1943)184SUPPLEMENT. “The Bindingness of the Non-binding”186Notes190Postscript194

"There is much to interest the Arabic scholar in these reminiscences of a life working with Arabic texts. Kratchkovsky’s comments on medieval manuscripts are punctuated by his modern epistolary relationships with early twentieth-century greats, such as Amin Rihani, Mikhail Naimy and the Taymur family of Egypt. This book was not intented to be a dry, scholarly tome but to create “propaganda for my branch of study” and have “these reflections find their way into the hearts and minds of my readers”. What he produced is a paean to the enduring pleasures of scholarship, to the joy of making a new discovery in an old library and to the circle of people across the world who make it possible. Although on the surface there is an optimistic faith in human progress, a dark melancholy lies underneath. As Kemper’s introduction reveals, Kratchkovsky did not live his life in an ivory idyll and frequently suffered from dark periods. Lurking in passing references throughout the text are the stories of students and colleagues killed in wars and Soviet purges. If there is a refuge for him, it is in writing. Soviet Russia during the Second World War must have felt like a precarious place where considering, for instance, the handwriting of Abba Antonius of Baghdad from the ninth century was a comfort. More than anything, this is a book about (hand)writing and its endurance. It is propaganda as it should be." Raphael Cormack in Times Literary Supplement, October 26 2016.