Althusser and Pasolini

Philosophy, Marxism, and Film

Häftad, Engelska, 2018

Av Agon Hamza

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Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser’s philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini’s most important films. Pasolini’s films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films.

Produktinformation

Utgivningsdatum2018-05-30
Mått148 x 210 x 12 mm
Vikt286 g
FormatHäftad
SpråkEngelska
Antal sidor202
FörlagPalgrave Macmillan
ISBN9781349953981

Tillhör följande kategorier

Film inom Kultur
Religion: allmänt inom Filosofi och religion
Filosofiska discipliner inom Filosofi och religion
Scenkonst och film inom Kultur

Agon Hamza is a PhD candidate in philosophy at the Postgraduate School ZRC SAZU in Ljubljana, Slovenia. He serves as the co-editor-in-chief of the international philosophical journal Crisis and Critique. His latest publications are: Slavoj Žižek and Dialectical Materialism (co-edited with Frank Ruda), Repeating Žižek, and From Myth to Symptom: The Case of Kosovo, co-authored with Slavoj Žižek.

Introduction: Althusser and Pasolini.- PART I: On Althusser.- 1. Contextualisation.- 2. Periodization.- 3. Taking Sides: Hegel or Spinoza?.- 4. Structural Causality.- 5. Althusser before Althusser: from Christianity to Communism.- 6. Marxists’ Preshistory.- 7. Proletariat of Human Condition Versus the Proletariat of Labor.- 8. Christian Materialism.- 9. Antiphilosophy.- 10. Definition of Ideology.- 11. Epistemological Break.- 12. Interpellation.- 13. State Apparatuses.- 14. Church as an Ideological State Apparatus15. Althusser’s Politics.- PART II: The Gospel According to Althusser.- 16. Setting the Stage.- 17. Camera as an Ideological Apparatus.- 18. Film as a Commodity.- 19. Representation.- 20. The Christian Reality.- 21. Religious Suspension of the Theological.- 22. Religious-Political.- us Humanity.- 25. The Politics of Religion.- 26. Pasolini’s Political Though.- Conclusion: Marxism and Film.