Akademibokhandeln
Alison McMahan - Alice Guy Blaché, Häftad

Häftad, Engelska, 2003

Alice Guy Blaché

Lost Visionary of the Cinema

Av Alison McMahan

549 kr

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Beskrivning
Alice Guy Blach (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first - and so far the only - woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her memoirs were published in 1976. This book tells her life story and fills in many gaps left by the memoirs. Guy Blach's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy Blach films that survive, and in the process rewrites early cinema history.
Produktinformation
  • Utgivningsdatum: 2003-12-01
  • Mått: 228 x 153 x 22 mm
  • Vikt: 620 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 408
  • Förlag: Bloomsbury Publishing PLC
  • ISBN: 9780826451576
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Mer information

Alison McMahan is an award-winning screenwriter, author, and filmmaker. She was the president of Homunculus Productions, LLC, from 2006 to 2025. Her best known film is Bare Hands and Wooden Limbs (2010) narrated by Sam Waterston. McMahan is a two-time Derringer Award nominee and an "Other Distinguished Mystery Stories" author in Best American Mystery Stories of 2018. Her short mysteries have appeared in numerous mystery anthologies and ThrillRide magazine. One of her non-fiction books, Alice Guy Blaché, Lost Visionary of the Cinema (Bloomsbury 2002) was translated into Japanese and Spanish and adapted into the documentary, Be Natural (2018).

Recensioner i media

'McMahan has done a monumental job of excavation to locate her subject's place in the history of the cinema...A major feat of enlightened - and enlightening - scholarship.' Los Angeles Times

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