Best Known as a poet in the English-speaking world, Alfred de Musset (1810-57) is regarded in his native France as perhaps the most significant dramatist of the first half of the nineteenth century. Ibsen admired his work, Turgenev imitated it, while Scribe even thought some of Musset's comedies funnier than his own. Oberon Books publishes Peter Meyer's translations of Three Farces by Feydeau, four one-act plays by the same author (as From Marriage to Divorce) and Thirteen Monologues (six by Feydeau, seven by Cocteau)

Best Known as a poet in the English-speaking world, Alfred de Musset (1810-57) is regarded in his native France as perhaps the most significant dramatist of the first half of the nineteenth century. Ibsen admired his work, Turgenev imitated it, while Scribe even thought some of Musset's comedies funnier than his own. Oberon Books publishes Peter Meyer's translations of Three Farces by Feydeau, four one-act plays by the same author (as From Marriage to Divorce) and Thirteen Monologues (six by Feydeau, seven by Cocteau)

Best Known as a poet in the English-speaking world, Alfred de Musset (1810-57) is regarded in his native France as perhaps the most significant dramatist of the first half of the nineteenth century. Ibsen admired his work, Turgenev imitated it, while Scribe even thought some of Musset's comedies funnier than his own. Oberon Books publishes Peter Meyer's translations of Three Farces by Feydeau, four one-act plays by the same author (as From Marriage to Divorce) and Thirteen Monologues (six by Feydeau, seven by Cocteau)