Albrecht DüRer’s Material World

Edward H. Wouk is Reader in Art History and Cultural Practices at the University of ManchesterJennifer Spinks is Hansen Associate Professor in History at the University of Melbourne

• Foreword1 Introducing Albrecht Dürer’s material world – Jennifer Spinks and Edward H. Wouk2 The Thomas D. Barlow collection: a fait accompli –Imogen Holmes-Roe3 Perilous possessions: Kachelöfen in Renaissance Nuremberg –Sasha Handley4 Objects in motion: Albrecht Dürer’s Nemesis – Jennifer Spinks5 The nature of lines: enviromateriality and ingenuity in Albrecht Dürer’s material world – Stefan Hanß6 Objects of devotion and instruments of memorialisation: The Mass of Saint Gregory – Charles Zika7 Measure and the material world of Dürer’s Melencholia I – Matthew Champion8 The material and the immaterial: Saint Jerome in his Study – Dagmar Eichberger9 Albrecht Dürer’s Landscape with a Cannon of 1518: the matter of etching – Edward H. Wouk10 Dürer’s armour – Larry Silver11 The Whitworth’s sculpted Pietà from Renaissance Germany – Holly Fletcher12 The home – Sasha Handley and Charles Zika13 The workshop – Stefan Hanß, Jennifer Spinks and Edward H. Wouk14 The study – Edward H. Wouk and Dagmar EichbergerIndex