Caroline Bird is a poet and playwright. She has five previous collections of poetry published by Carcanet. Her most recent collection, In These Days of Prohibition, was shortlisted for the 2017 T.S. Eliot Prize and the Ted Hughes Award. A two-time winner of the Foyle Young Poets Award, her first collection Looking Through Letterboxes was published in 2002 when she was 15. She won an Eric Gregory Award in 2002 and was shortlisted for the Geoffrey Dearmer Prize in 2001 and the Dylan Thomas Prize in 2008 and 2010. She was shortlisted for Most Promising New Playwright at the Off-West-End Awards, and was a finalist for the Susan Smith Blackburn Prize. Her theatre credits include: The Trojan Women (Gate Theatre, 2012), The Trial of Dennis the Menace (Purcell Room, 2012), Chamber Piece (Lyric Hammersmith, 2013), The Wonderful Wizard of Oz (Northern Stage, 2015), and The Iphigenia Quartet (Gate Theatre, 2016). She was one of the five official poets at the 2012 London Olympics.

'Bird is a master of bleak humour interlaced with wry social commentary' - Poetry London; 'Bird is irrepressible; she simply explodes with poetry. The work erupts, spring-loaded, funny, sad, deadly - you don't know if a bullet will come out of the barrel or a flag with the word BANG on it.' - Simon Armitage; 'Caroline Bird puts us on the inside looking deeper in, under the glittering skin to the place where laughter begins, where mothers are children, where people feel pain and speak in tongues, where tongues are knives and 'Someone still has to stay here and die'.' - Imtiaz Dharker

Caroline Bird is a poet and playwright. She has five previous collections of poetry published by Carcanet. Her most recent collection, In These Days of Prohibition, was shortlisted for the 2017 T.S. Eliot Prize and the Ted Hughes Award. A two-time winner of the Foyle Young Poets Award, her first collection Looking Through Letterboxes was published in 2002 when she was 15. She won an Eric Gregory Award in 2002 and was shortlisted for the Geoffrey Dearmer Prize in 2001 and the Dylan Thomas Prize in 2008 and 2010. She was shortlisted for Most Promising New Playwright at the Off-West-End Awards, and was a finalist for the Susan Smith Blackburn Prize. Her theatre credits include: The Trojan Women (Gate Theatre, 2012), The Trial of Dennis the Menace (Purcell Room, 2012), Chamber Piece (Lyric Hammersmith, 2013), The Wonderful Wizard of Oz (Northern Stage, 2015), and The Iphigenia Quartet (Gate Theatre, 2016). She was one of the five official poets at the 2012 London Olympics.

'Bird is a master of bleak humour interlaced with wry social commentary' - Poetry London; 'Bird is irrepressible; she simply explodes with poetry. The work erupts, spring-loaded, funny, sad, deadly - you don't know if a bullet will come out of the barrel or a flag with the word BANG on it.' - Simon Armitage; 'Caroline Bird puts us on the inside looking deeper in, under the glittering skin to the place where laughter begins, where mothers are children, where people feel pain and speak in tongues, where tongues are knives and 'Someone still has to stay here and die'.' - Imtiaz Dharker

Caroline Bird is a poet and playwright. She has five previous collections of poetry published by Carcanet. Her most recent collection, In These Days of Prohibition, was shortlisted for the 2017 T.S. Eliot Prize and the Ted Hughes Award. A two-time winner of the Foyle Young Poets Award, her first collection Looking Through Letterboxes was published in 2002 when she was 15. She won an Eric Gregory Award in 2002 and was shortlisted for the Geoffrey Dearmer Prize in 2001 and the Dylan Thomas Prize in 2008 and 2010. She was shortlisted for Most Promising New Playwright at the Off-West-End Awards, and was a finalist for the Susan Smith Blackburn Prize. Her theatre credits include: The Trojan Women (Gate Theatre, 2012), The Trial of Dennis the Menace (Purcell Room, 2012), Chamber Piece (Lyric Hammersmith, 2013), The Wonderful Wizard of Oz (Northern Stage, 2015), and The Iphigenia Quartet (Gate Theatre, 2016). She was one of the five official poets at the 2012 London Olympics.

'Bird is a master of bleak humour interlaced with wry social commentary' - Poetry London; 'Bird is irrepressible; she simply explodes with poetry. The work erupts, spring-loaded, funny, sad, deadly - you don't know if a bullet will come out of the barrel or a flag with the word BANG on it.' - Simon Armitage; 'Caroline Bird puts us on the inside looking deeper in, under the glittering skin to the place where laughter begins, where mothers are children, where people feel pain and speak in tongues, where tongues are knives and 'Someone still has to stay here and die'.' - Imtiaz Dharker