Craig Dworkin is the author of Reading the Illegible (Northwestern, 2003), and the editor of Architectures of Poetry (2004), Language to Cover a Page: The Early Writing of Vito Acconci (2006), The Consequence of Innovation: 21st Century Poetics (2008), and, with Marjorie Perloff, The Sound of Poetry/The Poetry of Sound (2009).Kenneth Goldsmith’s writing has been called "some of the most exhaustive and beautiful collage work yet produced in poetry" by Publishers Weekly. Goldsmith is the author of ten books of poetry. He teaches writing at the University of Pennsylvania, where he is a senior editor of PennSound, an online poetry archive.

Compiled by star practitioner Kenneth Goldsmith and lead academic liaison Craig Dworkin to be not so much a treasury of verse as an argument-by-demonstration, this anthology will excite the reader who wants more than normal literature gives her, as well as annoy—and, perhaps, haunt—the one who values her belief that normal literature gives her everything already." —Los Angeles Review of Booksc"One rarely likes to be told how to read, where to position a text in the context of its literary theory and formal practices, or who the writing owes its legacy to. However, one of the greatest strengths of Craig Dworkin and Kenneth Goldsmith's Against Expression is that it does precisely that." —Drunken Boat

Craig Dworkin is the author of Reading the Illegible (Northwestern, 2003), and the editor of Architectures of Poetry (2004), Language to Cover a Page: The Early Writing of Vito Acconci (2006), The Consequence of Innovation: 21st Century Poetics (2008), and, with Marjorie Perloff, The Sound of Poetry/The Poetry of Sound (2009).Kenneth Goldsmith’s writing has been called "some of the most exhaustive and beautiful collage work yet produced in poetry" by Publishers Weekly. Goldsmith is the author of ten books of poetry. He teaches writing at the University of Pennsylvania, where he is a senior editor of PennSound, an online poetry archive.

Compiled by star practitioner Kenneth Goldsmith and lead academic liaison Craig Dworkin to be not so much a treasury of verse as an argument-by-demonstration, this anthology will excite the reader who wants more than normal literature gives her, as well as annoy—and, perhaps, haunt—the one who values her belief that normal literature gives her everything already." —Los Angeles Review of Booksc"One rarely likes to be told how to read, where to position a text in the context of its literary theory and formal practices, or who the writing owes its legacy to. However, one of the greatest strengths of Craig Dworkin and Kenneth Goldsmith's Against Expression is that it does precisely that." —Drunken Boat

Craig Dworkin is the author of Reading the Illegible (Northwestern, 2003), and the editor of Architectures of Poetry (2004), Language to Cover a Page: The Early Writing of Vito Acconci (2006), The Consequence of Innovation: 21st Century Poetics (2008), and, with Marjorie Perloff, The Sound of Poetry/The Poetry of Sound (2009).Kenneth Goldsmith’s writing has been called "some of the most exhaustive and beautiful collage work yet produced in poetry" by Publishers Weekly. Goldsmith is the author of ten books of poetry. He teaches writing at the University of Pennsylvania, where he is a senior editor of PennSound, an online poetry archive.

Compiled by star practitioner Kenneth Goldsmith and lead academic liaison Craig Dworkin to be not so much a treasury of verse as an argument-by-demonstration, this anthology will excite the reader who wants more than normal literature gives her, as well as annoy—and, perhaps, haunt—the one who values her belief that normal literature gives her everything already." —Los Angeles Review of Booksc"One rarely likes to be told how to read, where to position a text in the context of its literary theory and formal practices, or who the writing owes its legacy to. However, one of the greatest strengths of Craig Dworkin and Kenneth Goldsmith's Against Expression is that it does precisely that." —Drunken Boat