After the American Century

Brian T. Edwards is Crown Professor in Middle East Studies and professor of English and comparative literary studies at Northwestern University, where he is also the founding director of the Middle East and North African Studies Program. He is the author of Morocco Bound: Disorienting America's Maghreb, from Casablanca to the Marrakech Express (2005) and a coeditor of Globalizing American Studies (2010). His articles have been published in the Believer, Public Culture, the Chicago Tribune, and elsewhere.

• Preface 1. After the American Century: Ends of Circulation 2. Jumping Publics: Egyptian Fictions of the Digital Age 3. "Argo Fuck Yourself": Iranian Cinema and the Curious Logics of Circulation 4. Coming Out in Casablanca: Shrek, Sex, and the Teen Pic in Contemporary Morocco Epilogue: Embracing Orientalism in the Homeland Acknowledgments Notes Index

After the American Century offers a fascinating tour of the appropriation and deployment of American popular culture in a globalized, restless Middle East. From cinema and novels to hip-hop and comic books, this wonderfully written and richly observed book presents novel and exciting readings of familiar cultural forms in new political environments. -- Marc Lynch, author of The Arab Uprising: The Unfinished Revolutions of the New Middle East After the American Century is a book of exquisite audacity. Bold in its detailed precision and daring in its imaginative topography of topics, Brian T. Edwards's writing cuts through much noise and nuisance to lay bare what lies ahead. Its arguments do not just dismantle the imperial fantasy of an 'American century,' but point to the uncharted worlds far beyond its captured imagination. -- Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature, Columbia University This book is a rich account of what happens when cultural objects, literary texts, and films circulate between the Middle East and the United States: how they are interpreted and reinvented, in the process engendering new publics and counterpublics. A nuanced analysis of cultural politics that extends our understanding of the forms and limits of Western domination of the Middle East. -- Saba Mahmood, author of Politics of Piety: The Islamic Revival and the Feminist Subject In After the American Century, Edwards has devised subtle, ethnographically informed reading methodologies to explain how anomalous logics of transnational circulation have radically undermined plans for a 'new American century.' The book will fast become indispensable to an understanding of the genealogy of transnational American studies. -- Donald E. Pease, Ted and Helen Geisel Third Century Professor in the Humanities and founding director of the Futures of American Studies Institute at Dartmouth College Edwards plunges into the cultural lives of Cairo, Casablanca, and Tehran to illustrate the demise of one aspect of "the American century": the outsize influence that U.S. popular culture exercised in the Middle East. -- John Waterbury Foreign Affairs Edwards' background and considerable expertise shine... making the book a worthwhile read for anyone interested in the region. Middle East Journal Now that American power is receding across the globe it is a good time to ask how... methodologies might adapt to these new circumstances, and what we might name such an academic adaptation. Brian T. Edwards' important new book... provides us with a possible answer to this arguably urgent question. Post45 Ambitious, wide-ranging, and highly valuable. European Journal of American Culture Edwards challenges traditional narratives of US cultural imperialism... Highly recommended. CHOICE Edwards is to be commended for his ethnographic methods, his command of local languages, and the originality of his archive. International Journal of Middle East Studies A genuinely important contribution to our understanding of how American literary studies circulates internationally in the twenty-first century. American Literature A welcome work, valuable for its rich readings of unfamiliar yet important Middle Eastern artists and for its stimulating arguments about the transnational circulation of American culture in our global, digital age. Journal of American History