After In-Yer-Face Theatre

Remnants of a Theatrical Revolution

Inbunden, Engelska, 2020

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This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others.

Produktinformation

Utgivningsdatum2020-04-30
Mått148 x 210 x 20 mm
Vikt463 g
FormatInbunden
SpråkEngelska
Antal sidor251
FörlagSpringer Nature Switzerland AG
ISBN9783030394264

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Scenkonstens historia inom Kultur
Teater inom Kultur

1. Chapter One: Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic; William C. Boles.- 2. Chapter Two: “In the Pursuit of New Writers”: The Royal Court Young Peoples’ Theatre and the Development of First Time Playwrights in the 1990s; Nicholas Holden.- 3. Chapter Three: “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer-Face Theatre and the Royal Court’s 1996 West End Season; Graham Saunders.- 4. Chapter Four: “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator; Rachael Newberry.- 5. Chapter Five: Mark Ravenhill’s Dialectical Emotions: “In-Yer-Face” as Post-Brechtian Theater; Anja Hartl.- 6. Chapter Six: Undressing Sarah Kane: A Portuguese Perspective on In-Yer-Face; Cátia Faísco.- 7. Chapter Seven: Russian “In-Yer-Face Theatre” as a Problem or a Process; Elena Dotsenko.- 8. Chapter Eight: Surfing the Wave ofIn-Yer-Face Theatre on Australian Shores; Sandra Gattenhof.- 9. Chapter Nine: The Hidden Dialogue between Sarah Kane and Edward Bond: The Dramaturgy of Accident Time and Ethical Subjectivities; Chien-Cheng Chen.- 10. Chapter Ten: From “In-Yer-Face” to “In-Yer-Head”: Staging the Mind in Martin Crimp, Sarah Kane and Anthony Neilson; Solange Ayache.- 11. Chapter Eleven: Philip Ridley: Still In-Yer-Face; Thomas A. Oldham.- 12. Chapter Twelve: Tales from the East End: Dialogic and Confessional Storytelling as Therapy (?) in the Plays of Philip Ridley; Cath Badham.- 13. Chapter Thirteen: Joe Penhall’s Fatherhood Plays: Escaping the Influence of Sam Shepard and the Lad; William C. Boles.- 14. Chapter Fourteen: “Experiential, not speculative”: Love In and After In-Yer-Face; Korbinian Stöckl.- 15. Chapter Fifteen: The Echo Chamber: Theater in a “Post-Truth” World.