Affective Methodologies

Lisa Blackman, Goldsmiths, University of London, UK. Frederik Bøhling, Aarhus University, Denmark. Anna Gibbs, University of Western Sydney, Australia. Jette Kofoed, Aarhus University, Denmark. Christoffer Kølvraa, Aarhus University, Denmark. Celia Lury, University of Warwick, UK. Camilla Møhring Reestorff, Aarhus University, Denmark Mikkel Rytter, Aarhus University, Denmark. Dorthe Staunæs, Aarhus University, Denmark Nathan M.L. To, Goldsmiths, University of London, UK.  Elena Trivelli, Goldsmiths, University of London, UK. Emma Waterton, University of Western Sydney, Australia. Steve Watson, York St John University, United Kingdom.

• 1. Introduction: Affective methodologies; Britta Timm Knudsen and Carsten StagePart I: Inventive experiments2. Researching Affect and Embodied Hauntologies: Exploring an Analytics of Experimentation; Lisa Blackman3. Experimenting with affects and senses – A performative pop-up-laboratory (self) critically revisited; Dorthe Staunæs and Jette Kofoed 4. Diasporic montage and critical autoethnography: Mediated visions of intergenerational memory and the affective transmission of trauma; Nathan ToPart II: Embodied fieldwork5. Methods in Motion: Affecting Heritage Research; Emma Waterton and Steve Watson6. Exploring a ' 'remembering crisis ' ': ' 'Affective attuning ' ' and ' 'assemblaged archive ' ' as theoretical frameworks and research methodologies; Elena Trivelli7. The scent of a rose: imitating imitators as they learn to love the Prophet; Mikkel Rytter8. The field note assemblage: Researching the bodily-affective dimensions of drinking and dancingethnographically; Frederik Bøhling Part III: Textualities9. Affect, Provocation and Far Right Rhetoric; Christoffer Kølvraa10. From Artwork to Net-work: Affective Effects of Political Art; Camilla M. Reestorff11. Writing as Method: Attunement, Resonance and Rhythm; Anna Gibbs12. Epilogue; Celia Lury

"Affective Methodologies redefines the way we can work with affect in our research assemblages. In a considered and timely application of affect theory to qualitative research practices, Knudsen and Stage have brought together a diverse collection of scholars. From defining figures in the field such as Blackman and Gibbs, to new voices including To and Kølvraa, this book provides a much needed consolidation of the existing trajectories of scholarship on and of affect while opening new ways forward for qualitative research." - Anna Hickey-Moody, Goldsmiths, University of London, UK