Aesthetics and Subjectivity

Häftad, Engelska, 2003

449 kr

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New, completely revised and re-written edition. Offers a detailed but accessible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantics, Schelling, Hegel, Schleiermacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensable read.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Produktinformation

Utgivningsdatum2003-04-17
Mått156 x 234 x 19 mm
Vikt499 g
FormatHäftad
SpråkEngelska
Antal sidor360
Upplaga2
FörlagManchester University Press
ISBN9780719057380

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PrefaceIntroductionAesthetics and modernityAesthetics and 'post-modernity'1. Modern Philosophy and the Emergence of Aesthetic Theory: KantSelf-consciousness, knowledge and freedomThe unification of natureThe purpose of beautyThe limits of beauty2. German Idealism and Early German RomanticismThinking the InfiniteA 'new mythology'3. Reflections on the Subject: Fichte, Holderlin and NovalisSelf and OtherFichteHolderlinNovalis4. Schelling: Art and the 'Organ of Philosophy'Nature and philosophyThe development of consciousnessIntuition and conceptThe 'organ of philosophy'Mythology, art and modernityMythology, language and being5. Hegel: the beginning of Aesthetic Theory and the end of ArtWhich Hegel?Self-recognitionMusic and the IdeaLanguage, consciousness and beingThe Idea as sensuous appearanceThe prose of the modern worldPhilosophy and art after Hegel6. Schleiermacher: Art and InterpretationLinguisticThe 'art of disagreement'Immediate self-consciousnessArt as free production: 'individual' and 'identical' activityHemeneutics as artLiterature and the 'musical'7. Music, Language and LiteratureLanguage and musicHegel and Romanticism: music, logos, and feelingThe 'presence' of music'Infinite reflection' and music8. Nietzsche and the Fate of Romantic ThoughtThe Old and the New NietzschesSchopenhauer: Music as MetaphysicsMarx, mythology, and artArt, myth, and music in 'The Birth of Tragedy'Myth, music, and languageThe illusion of truthMusic and metaphysicsAesthetics , 'interpretation', and subjectivityConclusionThe so-called 'Oldest System Programme of German Idealism' References

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