Aesthetic Occupation

Daniel Bertrand Monk is George T. and Myra W. Cooley Chair of Peace and Conflict Studies and Director, Peace and Conflict Studies Program [P-CON] at Colgate University.

• Abbreviations Glossary Note on Transliteration Preface Introduction: The Foundation Stone of Our National Existence, without Exaggeration Part I. Stone 1. A Hieroglyph Designed by God Part II. Tile 2. An Unmistakable Sign 3. You are Blind to the Meaning of the Dome of the Rock 4. Cataclysm and Pogrom: An Exergue on the Naming of Violence Part III. Paper 5. Sir Alfred Mond’s After-Dinner Eloquence 6. Designs on Our Holy Places Part IV. Celluloid Conclusion: A Terrible Caricature Notes Bibliography Index

“A revelatory history of the architectural construction of the Israel/Palestine conflict that is also a stunningly original contribution to critical theory in the tradition of Adorno and Benjamin. Monk shows how both sides-thanks in part to the British-became trapped in a deadly quicksand of sacralized geographies and imagined histories.”-Mike Davis, author of City of Quartz “Why is the question of Israel/Palestine so intractable? Why, in this supposedly enlightened, secular age, does there seem to be no exit from a conflict that has focussed obsessively on the material features of this tiny country for millennia? How is it that the very stones, monuments, and landscape have become so invested with conflicting values that they seem to have ‘lives of their own’ that are not simply shaped by historical events, but themselves play the role of causal agents in those events? Daniel Monk’s brilliant and profound meditation on these questions eschews all the easy alternatives: it avoids the temptation both of one-sided polemics (on the one hand) and Olympian neutrality (on the other); it refuses to pass over the fetishizing of monuments and places as a mere symptom that could be dispelled by critique; above all, it insists on looking steadily at the objects themselves in all their paradoxical, conflicted formulations, their positioning in events, memories of events, and fantasies of a final event to come. This is an essential book for anyone who wants to think about the Holy Land, or about the way objects make and are made by history.”-W. J. T. Mitchell, University of Chicago, Editor, Critical Inquiry