Jena Habegger-Conti is associate professor of English at the Western Norway University of Applied Sciences. Lene M. Johannessen is professor of American literature at the University of Bergen.

• Introduction: Apprehending Aesthetic Apprehensions, Jena Habegger-Conti and Lene M JohannessenChapter 1: Drawing Closer: Liminal Medievalism in the Post-punk Gothic, Aidan Conti Chapter 2: A Chair is not a House: Sepulchral Intimacies in Sharp Objects, Janne Stigen DrangsholtChapter 3: “The Immortal Conception, the Perennial Theme”: Reading the Modern Body in Willa Cather’s “Coming, Aphrodite!”, Ingrid GaltungChapter 4: Not Reading the Signs in Nick Drnaso’s Sabrina, Jena Habegger-Conti Chapter 5: Apprehensive Figurations: Monuments in “Site-Specific Performances”, Lene M. JohannessenChapter 6: Apprehending the Past in the National Parks: False Familiarities, Aesthetic, Imaginaries, and Indigenous Erasures, Jennifer Ladino Chapter 7: The Garrulous Eye: Allegorization of Rape in Djuna Barnes’ “Ryder”, Helle Ha°konsen Lapeniene Chapter 8: Metonymy and the “Art of Reading the World Slowly”, Genevieve Liveley Chapter 9: Aesthetic Apprehensions, Hauntology and Just Literature, Ruben Moi Chapter

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Jena Habegger-Conti is associate professor of English at the Western Norway University of Applied Sciences. Lene M. Johannessen is professor of American literature at the University of Bergen.

• Introduction: Apprehending Aesthetic Apprehensions, Jena Habegger-Conti and Lene M JohannessenChapter 1: Drawing Closer: Liminal Medievalism in the Post-punk Gothic, Aidan Conti Chapter 2: A Chair is not a House: Sepulchral Intimacies in Sharp Objects, Janne Stigen DrangsholtChapter 3: “The Immortal Conception, the Perennial Theme”: Reading the Modern Body in Willa Cather’s “Coming, Aphrodite!”, Ingrid GaltungChapter 4: Not Reading the Signs in Nick Drnaso’s Sabrina, Jena Habegger-Conti Chapter 5: Apprehensive Figurations: Monuments in “Site-Specific Performances”, Lene M. JohannessenChapter 6: Apprehending the Past in the National Parks: False Familiarities, Aesthetic, Imaginaries, and Indigenous Erasures, Jennifer Ladino Chapter 7: The Garrulous Eye: Allegorization of Rape in Djuna Barnes’ “Ryder”, Helle Ha°konsen Lapeniene Chapter 8: Metonymy and the “Art of Reading the World Slowly”, Genevieve Liveley Chapter 9: Aesthetic Apprehensions, Hauntology and Just Literature, Ruben Moi Chapter

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Jena Habegger-Conti is associate professor of English at the Western Norway University of Applied Sciences. Lene M. Johannessen is professor of American literature at the University of Bergen.

• Introduction: Apprehending Aesthetic Apprehensions, Jena Habegger-Conti and Lene M JohannessenChapter 1: Drawing Closer: Liminal Medievalism in the Post-punk Gothic, Aidan Conti Chapter 2: A Chair is not a House: Sepulchral Intimacies in Sharp Objects, Janne Stigen DrangsholtChapter 3: “The Immortal Conception, the Perennial Theme”: Reading the Modern Body in Willa Cather’s “Coming, Aphrodite!”, Ingrid GaltungChapter 4: Not Reading the Signs in Nick Drnaso’s Sabrina, Jena Habegger-Conti Chapter 5: Apprehensive Figurations: Monuments in “Site-Specific Performances”, Lene M. JohannessenChapter 6: Apprehending the Past in the National Parks: False Familiarities, Aesthetic, Imaginaries, and Indigenous Erasures, Jennifer Ladino Chapter 7: The Garrulous Eye: Allegorization of Rape in Djuna Barnes’ “Ryder”, Helle Ha°konsen Lapeniene Chapter 8: Metonymy and the “Art of Reading the World Slowly”, Genevieve Liveley Chapter 9: Aesthetic Apprehensions, Hauntology and Just Literature, Ruben Moi Chapter

Select Guide Rating