TOBIAS SMOLLETT (1721–1771) was a novelist, playwright, journalist, historian, travel writer, critic, translator, editor, and compiler—an eighteenth-century man of letters in the fullest sense of the phrase.

The appearance of the first volume of a major scholarly edition of the works of Tobias Smollett is an important event. . . . If the other editors of separate volumes in the series but match Beasley's work with Fathom, the whole project has been well worth the long wait. He has done a superb job. The introduction defines the place of this novel in Smollett's whole career. Also Beasley develops arguments that Fathom was a notable experiment in fiction, 'a serious and unblushing representation of remorseless (at least until the end) villainy,' and that the work represents an attempt to discover a way of presenting the relation between fiction and real life. Beasley's notes, more comprehensive than any ever offered before, are especially illuminating as identifications of literary allusions and historical references. No major research library can afford to pass over this volume. Indeed, all major libraries will want to subscribe to the entire edition. Most highly recommended.

TOBIAS SMOLLETT (1721–1771) was a novelist, playwright, journalist, historian, travel writer, critic, translator, editor, and compiler—an eighteenth-century man of letters in the fullest sense of the phrase.

The appearance of the first volume of a major scholarly edition of the works of Tobias Smollett is an important event. . . . If the other editors of separate volumes in the series but match Beasley's work with Fathom, the whole project has been well worth the long wait. He has done a superb job. The introduction defines the place of this novel in Smollett's whole career. Also Beasley develops arguments that Fathom was a notable experiment in fiction, 'a serious and unblushing representation of remorseless (at least until the end) villainy,' and that the work represents an attempt to discover a way of presenting the relation between fiction and real life. Beasley's notes, more comprehensive than any ever offered before, are especially illuminating as identifications of literary allusions and historical references. No major research library can afford to pass over this volume. Indeed, all major libraries will want to subscribe to the entire edition. Most highly recommended.

TOBIAS SMOLLETT (1721–1771) was a novelist, playwright, journalist, historian, travel writer, critic, translator, editor, and compiler—an eighteenth-century man of letters in the fullest sense of the phrase.

The appearance of the first volume of a major scholarly edition of the works of Tobias Smollett is an important event. . . . If the other editors of separate volumes in the series but match Beasley's work with Fathom, the whole project has been well worth the long wait. He has done a superb job. The introduction defines the place of this novel in Smollett's whole career. Also Beasley develops arguments that Fathom was a notable experiment in fiction, 'a serious and unblushing representation of remorseless (at least until the end) villainy,' and that the work represents an attempt to discover a way of presenting the relation between fiction and real life. Beasley's notes, more comprehensive than any ever offered before, are especially illuminating as identifications of literary allusions and historical references. No major research library can afford to pass over this volume. Indeed, all major libraries will want to subscribe to the entire edition. Most highly recommended.