Martha Collins is the author of ten previous collections of poetry, most recently Because What Else Could I Do, which won the Poetry Society of America’s William Carlos Williams Award. Previous volumes include Blue Front, White Papers, Admit One: An American Scrapbook, and the paired volumes Day unto Day and Night unto Night. She has also cotranslated four volumes of Vietnamese poetry and coedited several anthologies.

An unflinching look at the underpinnings of racism in the U.S. . . . Her poems are lists, definitions, newspaper pages, historical time lines, and biographical facts. These diverse poetic forms highlight the beauty of diversity itself. But Collins never lets up on the driving themes of unethical treatment and collective culpability.

Martha Collins is the author of ten previous collections of poetry, most recently Because What Else Could I Do, which won the Poetry Society of America’s William Carlos Williams Award. Previous volumes include Blue Front, White Papers, Admit One: An American Scrapbook, and the paired volumes Day unto Day and Night unto Night. She has also cotranslated four volumes of Vietnamese poetry and coedited several anthologies.

An unflinching look at the underpinnings of racism in the U.S. . . . Her poems are lists, definitions, newspaper pages, historical time lines, and biographical facts. These diverse poetic forms highlight the beauty of diversity itself. But Collins never lets up on the driving themes of unethical treatment and collective culpability.

Martha Collins is the author of ten previous collections of poetry, most recently Because What Else Could I Do, which won the Poetry Society of America’s William Carlos Williams Award. Previous volumes include Blue Front, White Papers, Admit One: An American Scrapbook, and the paired volumes Day unto Day and Night unto Night. She has also cotranslated four volumes of Vietnamese poetry and coedited several anthologies.

An unflinching look at the underpinnings of racism in the U.S. . . . Her poems are lists, definitions, newspaper pages, historical time lines, and biographical facts. These diverse poetic forms highlight the beauty of diversity itself. But Collins never lets up on the driving themes of unethical treatment and collective culpability.