English poet and critic Paul Batchelor’s first collection of poems, The Sinking Road, was published by Bloodaxe in 2008. A chapbook, The Love Darg, was published by Clutag in 2014. He has won the Times Stephen Spender Prize for Translation and the Edwin Morgan International Poetry Prize. His reviews have appeared in the New Statesman, the Guardian, Poetry, and the Times Literary Supplement. He is Director of Creative Writing at Durham University.

'This is a substantial and challenging collection that covers a terrific range of theme and subject matter...a formal tour-de-force. All through this book there is a strong sense of form from free verse to the ballad. Here is a collection that performs that rare fear of making the reader both think and feel. A cracking good collection.'Steven Waling, The High Window

English poet and critic Paul Batchelor’s first collection of poems, The Sinking Road, was published by Bloodaxe in 2008. A chapbook, The Love Darg, was published by Clutag in 2014. He has won the Times Stephen Spender Prize for Translation and the Edwin Morgan International Poetry Prize. His reviews have appeared in the New Statesman, the Guardian, Poetry, and the Times Literary Supplement. He is Director of Creative Writing at Durham University.

'This is a substantial and challenging collection that covers a terrific range of theme and subject matter...a formal tour-de-force. All through this book there is a strong sense of form from free verse to the ballad. Here is a collection that performs that rare fear of making the reader both think and feel. A cracking good collection.'Steven Waling, The High Window

English poet and critic Paul Batchelor’s first collection of poems, The Sinking Road, was published by Bloodaxe in 2008. A chapbook, The Love Darg, was published by Clutag in 2014. He has won the Times Stephen Spender Prize for Translation and the Edwin Morgan International Poetry Prize. His reviews have appeared in the New Statesman, the Guardian, Poetry, and the Times Literary Supplement. He is Director of Creative Writing at Durham University.

'This is a substantial and challenging collection that covers a terrific range of theme and subject matter...a formal tour-de-force. All through this book there is a strong sense of form from free verse to the ballad. Here is a collection that performs that rare fear of making the reader both think and feel. A cracking good collection.'Steven Waling, The High Window