Actor and the Character

Explorations in the Psychology of Transformative Acting

Häftad, Engelska, 2018

AvVladimir Mirodan

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Transformative acting remains the aspiration of many an emerging actor, and constitutes the achievement of some of the most acclaimed performances of our age: Daniel Day-Lewis as Lincoln, Meryl Streep as Mrs Thatcher, Anthony Hopkins as Hannibal Lecter – the list is extensive, and we all have our favourites. But what are the physical and psychological processes which enable actors to create characters so different from themselves? To understand this unique phenomenon, Vladimir Mirodan provides both a historical overview of the evolution of notions of 'character' in Western theatre and a stunning contemporary analysis of the theoretical implications of transformative acting. The Actor and the Character: Surveys the main debates surrounding the concept of dramatic character and – contrary to recent trends – explains why transformative actors conceive their characters as ‘independent’ of their own personalities. Describes some important techniques used by actors to construct their characters by physical means: work on objects, neutral and character masks, Laban movement analysis, Viewpoints, etc. Examines the psychology behind transformative acting from the perspectives of both psychoanalysis and scientific psychology and, based on recent developments in psychology, asks whether transformation is not just acting folklore but may actually entail temporary changes to the brain structures of the actors.The Actor and the Character speaks not only to academics and students studying actor training and acting theory, but contributes to current lively academic debates around character. This is a compelling and original exploration of the limits of acting theory and practice, psychology, and creative work, in which Mirodan boldly re-examines some of the fundamental assumptions of actor training and some basic tenets of theatre practice to ask: What happens when one of us ‘becomes somebody else’?

Produktinformation

Utgivningsdatum2018-11-22
Mått156 x 234 x 11 mm
Vikt291 g
FormatHäftad
SpråkEngelska
SerieRoutledge Theatre, Performance, and Embodied Cognition Series
Antal sidor190
FörlagTaylor & Francis Ltd
ISBN9781138852525

Tillhör följande kategorier

Arbetspsykologi inom Psykologi och pedagogik
Teater inom Kultur

AcknowledgementsA Note on TerminologyChapter One – IntroductionPART ONE – The Idea of CharacterChapter Two An Independent CharacterChapter Three A Brief History of … TypeChapter Four Friends for Life: Character and Literary CriticismChapter Five The Drama of No CharacterPART TWO – Transformations in Body and MindChapter Six Constructing the Character Chapter Seven Psychologies: I – Trait, Type and TemperamentChapter Eight Psychologies: II – Conflict and EnergyChapter Nine Psychologies: III – Character on the CouchPART THREE – The Melding of Actor and CharacterChapter Ten Imagining the CharacterChapter Eleven Experiencing the CharacterChapter Twelve Deception, Self-Deception and the Transformative ActorIndex

"A rich and fascinating exploration of what happens as actors embody fictional selves […] accessible, grounded in professional practice and wide-ranging in scope."- Rick Kemp, author of Embodied Acting: What Neuroscience Tells Us About Performance"This is a remarkable book – not a handbook, but the fullest discourse in recent years regarding the complex processes undergone by the protean actor […] a combination of impeccably detailed research, perception and example […] it has inspired me to think anew about my own practice. Brilliant, profound and shot through with passion and humanity, it is a must for both theatre academics and actors who seek to think about their craft."- Annie Tyson, Royal Academy of Dramatic Arts"Mirodan’s study is such a rich and learned piece of research, that covers so much ground, and interrelates data and insights from so many disparate areas of inquiry. His intention - to challenge what may have become the complacent orthodoxy of the actor-in-action model – is carried through with an extraordinarily impressive range of scholarship. The Actor and The Character is an outstanding example of the way in which a cross-disciplinary approach to any subject can elicit striking new insights for the target discipline (in this case transformative character acting). It is a book I know that I shall return to again and again, and I have no doubt that my own practice will be deeply affected, at its root, as a consequence of reading it."- Julian Jones, Stanislavski Studies