Accessibility, Diversity, Equity and Inclusion in the Cultural Sector

Julie Bérubé is Full Professor in the Department of Administrative Sciences at the Université du Québec en Outaouais, Canada.Marie-Laure Dioh is Associate Professor in the Department of Administrative Sciences at the Université du Québec en Outaouais, Canada.Antonio C. Cuyler is Professor of Music in Entrepreneurship & Leadership in the School of Music, Theatre & Dance at the University of Michigan, USA.

• Chapter 1. ADEI in the Cultural Sector: Theories, Concepts and Real Case Studies; Julie Bérubé and Marie-Laure DiohSection 1. Performing ArtsChapter 2. Cultural Organizations on the Leading Edge of Accessibility Management: The Case of the Teatro Villa Mayor of Bogotá; Julien Doris, Julie Bérubé, and Álvaro Andrés Martínez CoronelChapter 3. Black Opera Leaders in the U. S. : What is their Role in Black Opera?; Antonio C. CuylerChapter 4. Performing Arts in a Francophone Minority Context: A Case Study of L'Association la Girandole d’Edmonton; Srilata Ravi and Olivia LeclairSection 2. MusicChapter 5. A Transformation of an Orchestra Through Gender Equity and Diversity; Sophie GalaiseChapter 6. Navigating Gendered Spaces: Activists’ Synergies in Montreal’s Electronic Music Scene; Nancy Aumais and Coline SénacChapter 7. The Expanding Economic Borders of South African Musicians: A Policy Effect; Akhona NdzutaChapter 8. To Understand Solidarity Through Hip-Hop Culture in Haiti; Sandy LaroseSection 3. Visual ArtsChapter 9. Collections and Inclusion: A Portrait of Museum Initiatives in Quebec and Ontario; Mélanie BoucherChapter 10. Beyond Fakequity: Redefining “Excellence” to Create Space for Equity; Brea M. HeidelbergChapter 11. Towards an Inclusive Cultural Participation: The Case of Chilean Museums; Jesús Heredia-Carroza, Javier Reyes-Martínez, and Fátima GigireySection 4. EventsChapter 12. The Super Bowl: An Opportunity for Equity, Diversity, and Inclusion Initiatives for Arts Organizations; Tiffany BourgeoisChapter 13. Local and Popular Cultural Festivals as Venues for the Promotion of Equity, Diversity and Inclusion: the Case of the Petronio Álvarez Pacific Music Festival in Colombia; Luis F. Aguado, Alexei Arbona, and Jesús Heredia-CarrozaChapter 14. Digital Transformation of Events and Live Performances; Stephen Boyle, Carmen Reaiche, and Mohammadreza AkbariSection 5. Synthesis, Tools and PolicyChapter 15. Teaching ADEI in Taiwan; Tobie S. SteinChapter 16. Managing Diversity in Federal Cultural Administrations: the Example of Heritage Canada and Library and Archives Canada; Julien DorisConclusion. What Can we Learn from the Case Studies about ADEI Issues? : Conclusion; Marie-Laure Dioh