1935–1938

Häftad, Engelska, 2006

AvWalter Benjamin,Howard Eiland,Michael W. Jennings

409 kr

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Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie--such was Walter Benjamin in the later 1930s. This volume, the third in a four-volume set, offers twenty-seven brilliant pieces, nineteen of which have never before been translated.The centerpiece, A Berlin Childhood around 1900, marks the first appearance in English of one of the greatest German works of the twentieth century: a profound and beautiful account of the vanished world of Benjamin's privileged boyhood, recollected in exile. No less remarkable are the previously untranslated second version of Benjamin's most famous essay, "The Work of Art in the Age of Its Technological Reproducibility," with its striking insights into the relations between technology and aesthetics, and German Men and Women, a book in which Benjamin collects twenty-six letters by distinguished Germans from 1783 to 1883 in an effort to preserve what he called the true humanity of German tradition from the debasement of fascism.Volume 3 also offers extensively annotated translations of essays that are key to Benjamin's rewriting of the story of modernism and modernity--such as "The Storyteller" and "Paris, the Capital of the Nineteenth Century"--as well as a fascinating diary from 1938 and penetrating studies of Bertolt Brecht, Franz Kafka, and Eduard Fuchs. A narrative chronology details Benjamin's life during these four harrowing years of his exile in France and Denmark. This is an essential collection for anyone interested in his work.

Produktinformation

Utgivningsdatum2006-04-01
Mått153 x 226 x 23 mm
Vikt586 g
FormatHäftad
SpråkEngelska
Antal sidor480
FörlagHarvard University Press
ISBN9780674019812
UtmärkelserNominated for Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures 2002

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Essäer inom Skönlitteratur
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Paris Old and New, 1935 Brecht's Threepenny Novel Johann Jakob Bachofen Conversation above the Corso: Recollections of Carnival-Time in Nice Paris, the Capital of the Nineteenth Century Exchange with Theodor W. Adorno on the Essay "Paris, the Capital of the Nineteenth Century" Problems in the Sociology of Language: An Overview The Formula in Which the Dialectical Structure of Film Finds Expression Rastelli's Story Art In a Technological Age, 1936 The Work of Art in the Age of Its Technological Reproducibility: Second Version A Different Utopian Will The Significance of Beautiful Semblance The Signatures of the Age Theory of Distraction The Storyteller: Observations on the Works of Nikolai Leskov German Men and Women: A Sequence of Letters Letter from Paris (2): Painting and Photography Translation-For and Against The Knowledge That the First Material on Which the Mimetic Faculty Tested Itself Dialectics and History, 1937 Addendum to the Brecht Commentary: The Threepenny Opera Eduard Fuchs, Collector and Historian Fruits of Exile, 1938 (Part 1) Theological-Political Fragment A German Institute for Independent Research Review of Brod's Franz Kafka Letter to Gershom Scholem on Franz Kafka The Land Where the Proletariat May Not Be Mentioned: The Premiere of Eight One-Act Plays by Brecht Diary Entries, 1938 Berlin Childhood around 1900 A Note on the Texts Chronology, 1935-1938 Index Illustrations The Galerie Vivienne, Paris, 1907 Walter Benjamin at the Bibliotheque Nationale, 1937 Honore Daumier, La Crinoline en temps de neige The Kaiser Wilhelm Bridge, Berlin, early twentieth century The Victory Column on Konigsplatz, Berlin, early twentieth century The goldfish pond in the Tiergarten, Berlin, early twentieth century Berlin's Tiergarten in winter, early twentieth century Market hall on Magdeburger Platz, 1899 Interior of a typical middle-class German home, late nineteenth century Courtyard on Fischerstrasse in Old Berlin, early twentieth century Walter Benjamin and his brother Georg, ca. 1902

This latest volume of Harvard's majestic annotated edition of the essays and fragments includes reflections on Brecht, Kafka and the collector Eduard Fuchs, an early version of the famous analysis of art in the age of mechanical reproduction (here more accurately translated as "technological reproducibility") and the equally exhilarating inquiry into the nature of narrative, "The Storyteller." You feel smarter just holding this book in your hand.