101 Detectives

Häftad, Engelska, 2015

169 kr

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What kind of Detective am I? Eardrum or tympanum? Gullet or aesophagus? Pussy or pudenda? A Detective needs a language almost as much as a language needs a Detective.In this new collection of stories, award-winning author Ivan Vladislavić invites readers to do some detective work of their own. Each story can be read as just that – a story – or you can dig a little deeper. Take a closer look, examine the artefact from all angles, and consider the clues and patterns concealed within.Whether skewering extreme marketing techniques or constructing dystopian parallel universes; whether mourning a mother’s loss or tracing a translator’s on-stage breakdown, Vladislavić’s pitch-perfect inquisitions will make you question your own language – how it defines you, and how it undoes you.

Produktinformation

Utgivningsdatum2015-06-11
Mått129 x 198 x 13 mm
Vikt202 g
FormatHäftad
SpråkEngelska
Antal sidor320
FörlagAnd Other Stories
ISBN9781908276568

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Ivan Vladislavić was born in Pretoria in 1957 and lives in Johannesburg. His acclaimed fiction includes Double Negative (And Other Stories, 2013), The Restless Supermarket (And Other Stories, 2014), 101 Detectives (And Other Stories, 2015) and The Folly (And Other Stories, 2015). He has edited books on architecture and art, and sometimes works with artists and photographers. He has also written extensively about living in a changing South Africa. Portrait with Keys (Portobello Books, 2006) is a sequence of documentary texts about Johannesburg. His work has won many awards, including the South African Sunday Times Fiction Prize, the Alan Paton Award for non-fiction and Yale University’s Windham-Campbell Prize. He is a Distinguished Professor in Creative Writing at the University of the Witwatersrand.

‘Kafka isn’t named in the catalogue of 101 Detectives, but his fingerprints are all over this book. Or do they belong to Ivan Vladislavic? One of the boldest, wittiest, and most imaginative fiction writers working today, Vladislavic packs a “snub-nosed lingo” and has a knack for the uncanny. He finds it in ordinary and unlikely places . . . Seeing “every human action as sign, symptom, or subterfuge,” Vladislavic’s amazing fiction makes detectives of readers and writers alike.’