Rethinking Art's Histories

'Do-It-Yourself' Artwork

Participation from Fluxus to New Media

After the Event

New Perspectives on Art History

Glorious Catastrophe

Jack Smith, Performance and Visual Culture

Gender, Artwork and the Global Imperative

A Materialist Feminist Critique

Screen/Space

The projected image in contemporary art

Vertiginous Mirrors

The Animation of the Visual Image and Early Modern Travel

Timed out

Art and the transnational Caribbean

Newspaper Clipping

A Modern Paper Object

Transcultural Encounters

Visualising France and the Maghreb in Contemporary Art

'do-it-yourself' artwork

Participation from Fluxus to New Media

Fleshing out Surfaces

Skin in French Art and Medicine, 1650–1850

After-affects | after-images

Trauma and aesthetic transformation in the virtual feminist museum

Women, the Arts and Globalization

Eccentric Experience

Photography and Documentary Film in the Making of Modern Brazil

Art and Human Rights

Contemporary Asian Contexts

Glorious catastrophe

Jack Smith, performance and visual culture

Flesh Cinema

The corporeal turn in American avant-garde film

Performative monuments

The rematerialisation of public art

Otherwise

Imagining Queer Feminist Art Histories

Otherwise

Imagining queer feminist art histories

Intersections

Women Artists/Surrealism/Modernism

Women, the Arts and Globalization

Eccentric Experience

Architecture and Ekphrasis

Space, Time and the Embodied Description of the Past

Architecture and Ekphrasis

Space, Time and the Embodied Description of the Past

Art and Human Rights

Contemporary Asian Contexts

Engendering an Avant-Garde

The Unsettled Landscapes of Vancouver Photo-Conceptualism

Almost Nothing

Observations on Precarious Practices in Contemporary Art

Art, Global Maoism and the Chinese Cultural Revolution

Art, Global Maoism and the Chinese Cultural Revolution