'do-it-yourself' artwork

Name: 'do-it-yourself' artwork
SKU: 9780719087479
Price: 499 SEK
Availability: InStock
Author: Anna Dezeuze
ISBN: 9780719087479

Participation from Fluxus to New Media

Häftad, Engelska, 2012

AvAnna Dezeuze

499 kr

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Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer’s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you – the viewer - are invited to ‘do it yourself.’Rather than a specialist topic in the history of twentieth- and twenty-first century art, the ‘do-it-yourself’ artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.

Produktinformation

Utgivningsdatum2012-05-30
Mått156 x 234 x 17 mm
Vikt463 g
FormatHäftad
SpråkEngelska
SerieRethinking Art's Histories
Antal sidor328
FörlagManchester University Press
ISBN9780719087479

Tillhör följande kategorier

Konsthistoria inom Kultur

Contents1. Anna Dezeuze: An introduction to 'do-it-yourself'' artworkPART I: SITUATING PARTICIPATION2. Guy Brett: 3 Pioneers3. Anna Dezeuze: “Open work,” “do-it-yourself artwork,” and bricolage4. Judith Rodenbeck: “Creative acts of consumption” or, death in Venice5. Arnauld Pierre: Instability: the visual/bodily perception of space in kinetic environmentsPART II: PERFORMING PARTICIPATION6. Catherine Wood: The rules of engagement: Displaced figuration in Robert Morris’s sculpture7. Frazer Ward: Marina Abramovic: Approaching zero8. Amelia Jones: Space, body and the self in the work of Bruce Nauman9. Janet Kraynak: Tiravanija’s liability10. Jennifer Gonzalez: The face and the public: Race, secrecy and digital art practicePART III: THEORISING PARTICIPATION11. Anna Dezeuze: Play, ritual and politics: Transitional artworks in the 1960s12. Miwon Kwon: Exchange and reciprocity in some art of the 1960s and after13. Christian Kravagna: Working on the community: Models of participatory practice14. Claire Bishop: Antagonism and Relational Aesthetics15. Beryl Graham: What kind of participative system? Critical vocabularies from new media artIndex

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