Adaptation in Theatre and Performance

Adaptation and Nation

Theatrical Contexts for Contemporary English and Irish Drama

Elizabethan and Jacobean Reappropriation in Contemporary British Drama

'Upstart Crows'

Sherlock Holmes from Screen to Stage

Post-Millennial Adaptations in British Theatre

Radical Revival as Adaptation

Theatre, Politics, Society

Contemporary Approaches to Adaptation in Theatre

Contemporary Approaches to Adaptation in Theatre

Robert Lepage’s Scenographic Dramaturgy

The Aesthetic Signature at Work

Adaptation Considered as a Collaborative Art

Process and Practice

Adaptation Considered as a Collaborative Art

Process and Practice

Performances of Authorial Presence and Absence

The Author Dies Hard

Performances of Authorial Presence and Absence

The Author Dies Hard

Re-performance, Mourning and Death

Specters of the Past

Re-performance, Mourning and Death

Specters of the Past

Hamlet after Deconstruction

Hamlet after Deconstruction

Bosnian Literary Adaptations on Stage and Screen

Bosnian Literary Adaptations on Stage and Screen

Adapting the Novel for the Stage

Translation in Intermedial Circulation

Contemporary Fantasy on Stage

From His Dark Materials to The Lion, the Witch and the Wardrobe

Robert Lepage’s Scenographic Dramaturgy

The Aesthetic Signature at Work

Reinventing the Renaissance

Shakespeare and his Contemporaries in Adaptation and Performance

Western Theatre in Global Contexts

Directing and Teaching Culturally Inclusive Drama Around the World

Western Theatre in Global Contexts

Directing and Teaching Culturally Inclusive Drama Around the World

Performing Arts in Changing Societies

Opera, Dance, and Theatre in European and Nordic Countries around 1800

Bible and Modern British Drama

From 1930 to the Present Day

Shakespeare and Celebrity Cultures

Troubling Traditions

Canonicity, Theatre, and Performance in the US

Troubling Traditions

Canonicity, Theatre, and Performance in the US

Shakespeare and (Eco-)Performance History

The Merry Wives of Windsor