Del i serien Visual and Material Culture, 1300-1700

Unconventual Women in the Habsburg Low Countries, 1585–1794

Nyhet

Visual Culture at the Court Beguinages

Inbunden, Engelska, 2026

AvSarah Joan Moran

2 839 kr

Kommande

This book examines the Court Beguinages, a fascinating group of semi-monastic female communities that were endemic to cities of the Southern Low Countries from the thirteenth century into the twentieth.Their members, called Beguines, played fundamental social and religious roles in their communities, and they also became major patrons of art and architecture, building vast complexes and filling them with paintings, sculptures, prints, textiles, and all sorts of other decorative objects. As the first comprehensive and primary source-driven account of Court Beguinage visual culture, this study explores the historical importance of these institutions and reveals how the Beguines used buildings and images to support devotional practice, shape public perception, raise funds, and negotiate power relationships during the Counter Reformation.Unconventual Women in the Habsburg Low Countries is intended for scholars and students of Early Modern history, art and architectural history, cultural history, religious history, and women’s and gender studies.

Produktinformation

Utgivningsdatum2026-08-24
Mått156 x 234 x undefined mm
FormatInbunden
SpråkEngelska
SerieVisual and Material Culture, 1300-1700
Antal sidor372
FörlagAmsterdam University Press
ISBN9789462986343

Tillhör följande kategorier

Konsthistoria inom Kultur
Europas historia inom Historia och arkeologi
Socialhistoria och kulturhistoria inom Historia och arkeologi
Religion: allmänt inom Filosofi och religion

Sarah Joan Moran is an independent scholar focused on early modern women and their relationships to visual culture. She received her PhD in the History of Art and Architecture from Brown University in 2010, and her work has been funded by the Fulbright Foundation, Belgian American Educational Foundation, the Swiss National Science Foundation, the European Research Council, and the Netherlands Institute for Advanced Study. From 2009 to 2103 she held a junior faculty post at the University of Bern, and at Utrecht University she was Assistant Professor of Art before 1850 in 2017–2018, and Associate Professor of Art before 1850 from 2018 until 2022. Dr. Moran currently works as a developmental editor and freelance exhibition curator.

Introduction 1. Beguine Visual Culture in Context 2. The Architecture of the Court Beguinages 3. A 'Monastic Makeover': Art and the Consolidation of Beguine Identity in the Counter Reformation 4. Models of Piety: Portrayals of Beguines and Their Audiences 5. Inside Beguine Homes: Material Culture, Devotion, and Family Ties 6. Inside Beguine Churches: Patterns of Patronage and Devotion 7. Framing the Mass: The Altars and Their Altarpieces 8. Beguine Church Furniture for Sacrament, Sermon, and Song. Conclusions