Sgt. Pepper and the Beatles

Olivier Julien teaches the history and musicology of popular music at the Universities of Paris-Sorbonne (Paris IV) and Paris-Sorbonne Nouvelle (Paris III), France.

• List of figures and tables, List of music examples, Notes on contributors, General editor’s preface, Preface, ‘Their production will be second to none’: an introduction to Sgt. Pepper, 1 ‘Tangerine trees and marmalade skies’: cultural agendas or optimistic escapism?, 2 Sgt. Pepper and the diverging aesthetics of Lennon and McCartney, 3 Sgt. Pepper’s quest for extended form, 4 The sound design of Sgt. Pepper’s Lonely Hearts Club Band, 5 The Beatles and Indian music, 6 The Beatles’ psycheclassical synthesis: psychedelic classicism and classical psychedelia in Sgt. Pepper, 7 Cover story: magic, myth and music, 8 Within and without: Sgt. Pepper’s Lonely Hearts Club Band and psychedelic insight, 9 The whatchamucallit in the garden: Sgt. Pepper and fables of interference, 10 The act you’ve known for all these years: a re-encounter with Sgt. Pepper, 11 ‘A lucky man who made the grade’: Sgt. Pepper and the rise of a phonographic tradition in twentieth-century popular music, References, Index of names, Index of songs, albums, films and musical works

Winner of the 2009 ARSC (Association for Recorded Sound Collections) Award for Excellence in Historical Recorded Sound Research: Best Research in Recorded Rock and Popular Music ’Like the album that it analyzes, this collection of essays by an international array of Beatles scholars has more than just a few hooks to capture everyone's particular fancy. The authors present a wide-ranging and contextualized discussion that shows us why Sgt. Pepper is a monument in the history of rock music. Given the richness of the Beatles' work and the densely dynamic times in which they flourished, all pivoting around Sgt. Pepper, this book is more than welcome.’ Deena Weinstein, DePaul University, USA ’The eleven chapters, written by distinguished international scholars, approach this groundbreaking album from eleven interrelated points of view: connections with psychedelia (psychedelic lyrics, sonic and conceptual realizations of the psychedelic experience), aesthetic unity and complexity (formal unity, aesthetic divergence of Lennon and McCartney, classical and psychedelic aesthetic ideals, influence of Indian music), production (sound design, position in the rise of a "phonographic tradition", album cover), critical reception and musicological significance. These diverse points of view cover the key issues, which made Sgt. Pepper not only the soundtrack of the "Summer of Love" but also the album of all times - an album which is remembered 40 years after its first release and will also be remembered in the future. This book is a "must" in the bookshelf of anybody interested in the Beatles or Sixties culture in general.’ Yrjö Heinonen, University of Jyväskylä, Finland ’... the continued writing of these leading academics is imperative to the growing body of work on the subject of popular music in general. The value of the format of essay collection is that not only does it bring us up to date with the work of these leading Beatles experts, but it presents it all