Proceedings of the Tenth Seminar of the IATS, 2003. Volume 13: Art in Tibet

Issues in Traditional Tibetan Art from the Seventh to the Twentieth Century

Inbunden, Engelska, 2011

3 369 kr

Beställningsvara. Skickas inom 5-8 vardagar

Fri frakt för medlemmar vid köp för minst 249 kr.

This volume deals with specific issues related to Tibetan art, ranging from the earliest Buddhist buildings in central, southern and eastern geocultural Tibet up to the artistic traditions flourishing in the 20th century. The papers are arranged following the chronology of the sites or the themes taken into consideration in the first part and logical criteria in the latter part. Illustrated with numerous black-and-white pictures and 32 pages of colour plates, its contents are of special interest to scholars and specialists, while a large part is accessible to non-specialists, too, which makes the book useful also to university students interested in the subject as well as amateurs of Tibetan art.

Produktinformation

Utgivningsdatum2011-09-20
Mått160 x 240 x 24 mm
Vikt744 g
FormatInbunden
SpråkEngelska
SerieProceedings of the Tenth Seminar of the IATS, 2003
Antal sidor12
FörlagBrill
MedarbetareLoBue,Erberto
ISBN9789004155190

Tillhör följande kategorier

Konsthistoria inom Kultur
Asiens historia inom Historia och arkeologi

Please note that Cameron David Warner's name is spelled correctly in this table of contents, the contents in the book contains an error.List of IllustrationsErberto Lo Bue—ForewordHistoryCameron David Warner—a Prolegomenon to the Palladium of Tibet, the Jo bo ŚākyamuniAndré Alexander—Rme ru rnying pa, an Extant Imperial-Period Chapel in LhasaChristian Luczanits—On the Iconography of Tibetan Scroll Paintings (Thang ka) Dedicated to the Five TathāgathasEva Allinger—Thang kas Dedicated to the Vajradhātumaṇḍala. Questions of Stylistic ConnectionsHelmut and HeidI Neumann—The Wall Paintings of the Mgon khang of Lcang Sgang haMichael Henss—Liberation from the Pain of Evil Destinies: the Giant Appliqué Thang kas (gos sku) at Gyantse (Rgyal rtse dpal ’khor chos sde)Irmgard Mengele—New Discoveries about the Life of Chos dbyings rdo rje, the Tenth Karma pa of Tibet 1606–1674)Gabrielle Yablonski—The Scarcely Known Temple of Maṇi Lhakhang, Dechen County, Central Tibet:a Possible Bka’ gdams pa Foundation?Sarah E. Fraser—Sha bo tshe ring, Zhang Daqian and Sino-Tibetan Cultural Exchange, 1941–1943: DefiningResearch Methods for A mdo Regional Painting Workshops in the Medieval and Modern Periods'Minor’ Arts, Iconography, TechnIques, MaterIals and Photographic RecordsDralha Dawa Sangpo—A Survey Report on a Carved Stone Tibetan “Go” Board: Newly Found Evidence of the Tibetan Culture of “go”Tenpa Rabten—A Brief Discussion of the Origin and Characteristics of the Decorative Design on Tibetan Rlung rta (Prayer Flags)Zara Fleming—The Ritual Significance of Zan parJohn Clarke—Non-Sculptural Metalworking in Eastern Tibet 1930–2003Shunzo Onoda—De’u dmar dge bshes’s Method of Compounding Colours: Lac-dye Brown, Vermilion Brown and the Colours Derived from ThemKimiaki Tanaka—On the Tradition of the Vairocanāsambodhi-sūtra and the Garbhamaṇḍala in TibetSerinity Young—The Buddhist Discourse on Gender in Tibetan Medical IconographySjoerd De Vries—A Present from the TzarKnud Larsen—A Newly-Discovered Old Perspective Drawing of Lhasa