'Rare indeed is a study of acting with the clarity, concision, and conceptualization of this title. Written specifically for experienced actors or would-be actors, this straightforward book clarifies concepts that concern actors and acting teachers– for example, truth, emotion, and dualism. Philosophy (especially the work of Mark Johnson and George Lakoff), psychology (both behavioural and introspective), cognitive science, and Eastern performance practice are all related to acting theory, especially to the work of Constantin Stanislavski, Uta Hagen, and Sanford Meisner. Soto-Morettini, a renowned drama director and performance coach, looks at all these concepts and theorists, and many others as well. Applying theories and concepts of philosophy and psychology to the theories and concepts of the art of acting cannot, of course, result in anything more than better-informed theories and concepts that one can apply to the practice of acting. And that--nothing more, nothing less – is Soto-Morettini's task. She succeeds brilliantly. Summing Up: Essential. Upper-division undergraduates through faculty and professionals.'