Living Politics, Making Music

Simon Frith is Tovey Professor of Music at the University of Edinburgh. He was a founder member of IASPM and a founding editor of Popular Music. He is presently working on a three volume history of live music in the UK since 1950. The first volume,1950-1967. From Dance Hall to the 100 Club, was published by Ashgate in 2013. He chairs the judges of the Mercury Music Prize and is a Fellow of the British Academy. Stan Rijven is a Dutch pop music critic and historian, DJ and cultural entrepreneur. From the seventies onwards he pioneered the documenting of the rise of pop and world music culture in various Dutch media and abroad. He is a founder member of IASPM, Pop Archive Netherlands (PAN) and World Music Forum NL (WMF NL). Ian Christie is Anniversary Professor of Film and Media History at Birkbeck College. From 1976-1996 he worked at the British Film Institute as, variously, Head of Distribution, Exhibition, Video Publishing and Special Projects. His most recent book is Audience (2012). He is a regular broadcaster and writer for Sight and Sound, and a Fellow of the British Academy.

• Introduction Jan Fairley, World Music and Popular Music Studies, SimonFrith; intro1 Jan Fairley and the Circuits of Journalism, StanRijven; Part 1 Nueva Canción; Chapter 1 La Nueva Canción Latinoamericana (1984); Chapter 2 Alive and Performing in Latin America; Chapter 3 Analysing Performance; Chapter 4 Inti-Illimani; Part 2 Making Sense of World Music; Chapter 5 The ‘Local’ and ‘Global’ in Popular Music (2001); Chapter 6 Ports of Call; Chapter 7 The Songlines Guides; Chapter 8 There is a Place Where Music Really Does Change Lives … El Sistema (2012); Part 3 Writings on Cuba; Chapter 9 ‘Ay Díos, Ampárame’ (‘O God, Protect Me’); Chapter 10 Dancing Back to Front; Chapter 11 Control Shift (2010); Part 4 Profiles of Music-makers; Chapter 12 Profiles from fRoots; Chapter 101 Thanks to Life, IanChristie;

’... read this book and you’ll understand nueva canción, Cuban son, flamenco, and some steamy Cuban Latin slang much, much better’. Songlines **** ’This is a must-read for Latin Americanists, music researchers, students, activists and music aficionados.’ Popular Music