Lee Foster is the general manager and co-owner of Electric Lady Studios, the legendary recording studio in Greenwich Village commissioned by Jimi Hendrix. He is also the Curatorial Advisor for the Daniel Johnston Trust. Dick Johnston is Daniel Johnston’s older brother, former manager, and a director of the Hi, How Are You Project. Robin K. Williams is a former curator of the Contemporary Austin. She is currently the Curator of Modern and Contemporary Art at the University of Michigan Museum of Art.

"His career hamstrung by bipolar disorder and stints in psychiatric hospitals, Daniel Johnston first found acclaim as an unguarded and guileless songwriter in the late ’80s with tunes that cut instantly to the emotional quick. But he drew obsessively for more than half a century, too, creating a cosmos of characters — affable ghosts, flying eyeballs, his famously friendly frog, Jeremiah — that revealed his insecurities and hopes, sexual frustrations and religious aspirations ... Daniel Johnston: I’m Afraid of What I Might Draw is the first authoritative collection of Johnston’s art and a revelation about how he experienced the world." — The New York Times"This nearly 400-page volume showcases the legendary artist and musician’s drawings, spanning four decades, making it the most comprehensive collection of Johnston’s work to date." — Curated Texan"The talents of the late American musician Daniel Johnston first came to light when he worked at McDonald's in Austin, Texas, in the mid-1980s, where he would give customers homemade tapes of his alternative and lo-fi music. This book focuses on the drawings he made alongside his musical career. The colorful illustrations give new insight into the childlike quality of his songwriting." — Financial Times, HTSI

Lee Foster is the general manager and co-owner of Electric Lady Studios, the legendary recording studio in Greenwich Village commissioned by Jimi Hendrix. He is also the Curatorial Advisor for the Daniel Johnston Trust. Dick Johnston is Daniel Johnston’s older brother, former manager, and a director of the Hi, How Are You Project. Robin K. Williams is a former curator of the Contemporary Austin. She is currently the Curator of Modern and Contemporary Art at the University of Michigan Museum of Art.

"His career hamstrung by bipolar disorder and stints in psychiatric hospitals, Daniel Johnston first found acclaim as an unguarded and guileless songwriter in the late ’80s with tunes that cut instantly to the emotional quick. But he drew obsessively for more than half a century, too, creating a cosmos of characters — affable ghosts, flying eyeballs, his famously friendly frog, Jeremiah — that revealed his insecurities and hopes, sexual frustrations and religious aspirations ... Daniel Johnston: I’m Afraid of What I Might Draw is the first authoritative collection of Johnston’s art and a revelation about how he experienced the world." — The New York Times"This nearly 400-page volume showcases the legendary artist and musician’s drawings, spanning four decades, making it the most comprehensive collection of Johnston’s work to date." — Curated Texan"The talents of the late American musician Daniel Johnston first came to light when he worked at McDonald's in Austin, Texas, in the mid-1980s, where he would give customers homemade tapes of his alternative and lo-fi music. This book focuses on the drawings he made alongside his musical career. The colorful illustrations give new insight into the childlike quality of his songwriting." — Financial Times, HTSI

Lee Foster is the general manager and co-owner of Electric Lady Studios, the legendary recording studio in Greenwich Village commissioned by Jimi Hendrix. He is also the Curatorial Advisor for the Daniel Johnston Trust. Dick Johnston is Daniel Johnston’s older brother, former manager, and a director of the Hi, How Are You Project. Robin K. Williams is a former curator of the Contemporary Austin. She is currently the Curator of Modern and Contemporary Art at the University of Michigan Museum of Art.

"His career hamstrung by bipolar disorder and stints in psychiatric hospitals, Daniel Johnston first found acclaim as an unguarded and guileless songwriter in the late ’80s with tunes that cut instantly to the emotional quick. But he drew obsessively for more than half a century, too, creating a cosmos of characters — affable ghosts, flying eyeballs, his famously friendly frog, Jeremiah — that revealed his insecurities and hopes, sexual frustrations and religious aspirations ... Daniel Johnston: I’m Afraid of What I Might Draw is the first authoritative collection of Johnston’s art and a revelation about how he experienced the world." — The New York Times"This nearly 400-page volume showcases the legendary artist and musician’s drawings, spanning four decades, making it the most comprehensive collection of Johnston’s work to date." — Curated Texan"The talents of the late American musician Daniel Johnston first came to light when he worked at McDonald's in Austin, Texas, in the mid-1980s, where he would give customers homemade tapes of his alternative and lo-fi music. This book focuses on the drawings he made alongside his musical career. The colorful illustrations give new insight into the childlike quality of his songwriting." — Financial Times, HTSI