Computational Music Science – serie

Basic Music Technology

An Introduction

Topos of Music I: Theory

Geometric Logic, Classification, Harmony, Counterpoint, Motives, Rhythm

Topos of Music II: Performance

Theory, Software, and Case Studies

Topos of Music III: Gestures

Musical Multiverse Ontologies

Topos of Music IV: Roots

Appendices

Functorial Semiotics for Creativity in Music and Mathematics

Functorial Semiotics for Creativity in Music and Mathematics

Making Musical Time

Making Musical Time

Ligeti’s Macroharmonies

A Graphical-Statistical Analysis of Book 3 of the Piano Etudes

Ligeti’s Macroharmonies

A Graphical-Statistical Analysis of Book 3 of the Piano Etudes

Classification of Musical Objects for Analysis and Composition

Classification of Musical Objects for Analysis and Composition

Musical Variation

Toward a Transformational Perspective

Musical Variation

Toward a Transformational Perspective

Persistent Homology and Discrete Fourier Transform

An Application to Topological Musical Data Analysis

Persistent Homology and Discrete Fourier Transform

An Application to Topological Musical Data Analysis

Basic Gestures for Music Theory, Performance, and Pedagogy

Ubiquitous Music

Computational Counterpoint Worlds

Mathematical Theory, Software, and Experiments

Computational Musicology in Hindustani Music

Ubiquitous Music

Computational Musicology in Hindustani Music

Computational Counterpoint Worlds

Mathematical Theory, Software, and Experiments

Cool Math for Hot Music

A First Introduction to Mathematics for Music Theorists

Music Through Fourier Space

Discrete Fourier Transform in Music Theory

All About Music

The Complete Ontology: Realities, Semiotics, Communication, and Embodiment

Musical-Mathematical Mind

Patterns and Transformations

Topos of Music I: Theory

Geometric Logic, Classification, Harmony, Counterpoint, Motives, Rhythm