A. W. Mellon Lectures in the Fine Arts – serie

Forest

A Fable of America in the 1830s

Nude

A Study in Ideal Form

Use and Abuse of Art

History of Building Types

Last Looks, Last Books

Stevens, Plath, Lowell, Bishop, Merrill

Moment of Caravaggio

Bosch and Bruegel

From Enemy Painting to Everyday Life

Restoration

The Fall of Napoleon in the Course of European Art, 1812-1820

Thief Who Stole My Heart

The Material Life of Sacred Bronzes from Chola India, 855–1280

Brutal Aesthetics

Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg

Twelve Caesars

Images of Power from the Ancient World to the Modern

Twelve Caesars

Images of Power from the Ancient World to the Modern

Creative Intuition in Art and Poetry

Art of Sculpture

Painting and Reality

Eternal Present, Volume I

The Beginnings of Art

Of Divers Arts

Blake and Antiquity

Portrait in the Renaissance

On Quality in Art

Criteria of Excellence, Past and Present

Visionary and Dreamer

Two Poetic Painters: Samuel Palmer and Edward Burne-Jones

Giorgio Vasari

The Man and the Book

Sack of Rome, 1527

Rare Art Traditions

The History of Art Collecting and Its Linked Phenomena

Cézanne and America

Dealers, Collectors, Artists, and Critics, 1891-1921

Villa

Form and Ideology of Country Houses

Mediation of Ornament

Gold, Silver, and Bronze

Metal Sculpture of the Roman Baroque

On the Laws of the Poetic Art