Texas Film and Media Studies Series

Hollywood TV

The Studio System in the Fifties

Cinema and the Sandinistas

Filmmaking in Revolutionary Nicaragua

Coming Attractions

Reading American Movie Trailers

Cinema of Solitude

A Critical Study of Mexican Film, 1967-1983

Latino Images in Film

Stereotypes, Subversion, and Resistance

Cult Film Experience

Beyond All Reason

National Identity in Indian Popular Cinema, 1947-1987

Edna Ferber's Hollywood

American Fictions of Gender, Race, and History

Glasnost—Soviet Cinema Responds

Hollywood Exile, or How I Learned to Love the Blacklist

Euro-American Cinema

Living Room Lectures

The Fifties Family in Film and Television

Rise of Cable Programming in the United States

Revolution or Evolution?

Indie, Inc.

Miramax and the Transformation of Hollywood in the 1990s

New Latin American Cinema

A Continental Project

Unruly Woman

Gender and the Genres of Laughter

Dread of Difference

Gender and the Horror Film

Selling the Silver Bullet

The Lone Ranger and Transmedia Brand Licensing

Soviet Cinema in the Silent Era, 1918–1935

Television Talk

A History of the TV Talk Show

Selznick's Vision

Gone with the Wind and Hollywood Filmmaking

High Concept

Movies and Marketing in Hollywood

Veni, Vidi, Video

The Hollywood Empire and the VCR

Independent Stardom

Freelance Women in the Hollywood Studio System

Classical Mexican Cinema

The Poetics of the Exceptional Golden Age Films

Connecting the Wire

Race, Space, and Postindustrial Baltimore

Connecting the Wire

Race, Space, and Postindustrial Baltimore

Hollywood in San Francisco

Location Shooting and the Aesthetics of Urban Decline

Hollywood in San Francisco

Location Shooting and the Aesthetics of Urban Decline