Studies in Theory and History of Photography

Colors of Photography

Artist Complex

Images of Artists in Twentieth-Century Photography

Images of Industry

Representations of Work in Iranian Photography, 1873-1938

William Blake vs the World

Beyond Partition

Gender, Violence and Representation in Postcolonial India

Projecting Citizenship

Photography and Belonging in the British Empire

Projecting Citizenship

Photography and Belonging in the British Empire

Selfie, Temporality, and Contemporary Photography

Domestic Interior and the Self in Contemporary Photography

Domestic Interior and the Self in Contemporary Photography

Jeff Wall and the Concept of the Picture

Law, Literature and the Power of Reading

Literalism and Photography in the Nineteenth Century

Selfie, Temporality, and Contemporary Photography

Queer Livability

German Sexual Sciences and Life Writing

Queer Livability

German Sexual Sciences and Life Writing

Rethinking Popular Culture

Contempory Perspectives in Cultural Studies

Vision, Race, and Modernity

A Visual Economy of the Andean Image World

Mirror and the Mind

A History of Self-Recognition in the Human Sciences

Mirror and the Mind

A History of Self-Recognition in the Human Sciences

Photography and Ontology

Unsettling Images

Law, Literature and the Power of Reading

Literalism and Photography in the Nineteenth Century

Photography and Imagination

Photography, Temporality, and Modernity

Time Warped

Photography and Ontology

Unsettling Images

Space, Place and Hybridity in Francesca Woodman’s Photography

Surrealism and Photography in Czechoslovakia

On the Needles of Days

Photography and Imagination

Photography, Temporality, and Modernity

Time Warped

Jeff Wall and the Concept of the Picture