Routledge Advances in Theatre & Performance Studies

Live Visuals

History, Theory, Practice

Black Queer Dance

Gay Men and the Politics of Passing for Almost Straight

Scenography of Howard Barker

The Wrestling School Aesthetic 1998-2011

Deburau

Pierrot, Mime, and Culture

Butoh America

Butoh Dance in the United States and Mexico from 1970 to the early 2000s

Meaning in the Midst of Performance

Contradictions of Participation

Moving Relation

Touch in Contemporary Dance

Japanese Political Theatre in the 18th Century

Bunraku Puppet Plays in Social Context

Modernizing Costume Design, 1820–1920

Shakespeare and Tourism

Cruel Theatre of Self-Immolations

Contemporary Suicide Protests by Fire and Their Resonances in Culture

Female Aerialists in the 1920s and Early 1930s

Femininity, Celebrity, and Glamour

Theatre, Exhibition, and Curation

Displayed & Performed

Phenomenology of Blood in Performance Art

Phenomenology of Blood in Performance Art

Aotearoa New Zealand in the Global Theatre Marketplace

Travelling Theatre

Contemporary Group Theatre in Kolkata, India

Genre Transgressions

Dialogues on Tragedy and Comedy

Actor Training in Anglophone Countries

Past, Present and Future

Dynamic Cartography

Body, Architecture, and Performative Space

Bible and Modern British Drama

From 1930 to the Present Day

Staging Rebellion in the Musical, Hair

Marginalised Voices in Musical Theatre

Włodzimierz Staniewski and the Phenomenon of “Gardzienice”

Beyoncé and Beyond

2013–2016

Burning Man

Learning from Heterotopia

Hauntological Dramaturgy

Affects, Archives, Ethics

Shakespeare and Celebrity Cultures

Barrie Kosky on the Contemporary Australian Stage

Affect, Post-Tragedy, Emergency

Surviving Theatre

The Living Archive of Spectatorship