Palgrave Studies in Adaptation and Visual Culture

Anthony Burgess, Stanley Kubrick and A Clockwork Orange

Screen Adaptations and the Politics of Childhood

Transforming Children's Literature into Film

Literature, Film, and Their Hideous Progeny

Adaptation and ElasTEXTity

Adapting Television Drama

Theory and Industry

Expanding Adaptation Networks

From Illustration to Novelization

Literature, Film, and Their Hideous Progeny

Adaptation and ElasTEXTity

Queer/Adaptation

A Collection of Critical Essays

Patricia Highsmith on Screen

Shakespearean Celebrity in the Digital Age

Fan Cultures and Remediation

True Event Adaptation

Scripting Real Lives

Adaptable TV

Rewiring the Text

James Bond Uncovered

Anamorphic Authorship in Canonical Film Adaptation

A Case Study of Shakespearean Films

Anamorphic Authorship in Canonical Film Adaptation

A Case Study of Shakespearean Films

Screening the Author

The Literary Biopic

Screening the Author

The Literary Biopic

Making of… Adaptation and the Cultural Imaginary

Making of… Adaptation and the Cultural Imaginary

Balzac Reframed

The Classical and Modern Faces of Éric Rohmer and Jacques Rivette

Balzac Reframed

The Classical and Modern Faces of Éric Rohmer and Jacques Rivette

Shakespeare’s Fans

Adapting the Bard in the Age of Media Fandom

Shakespeare’s Fans

Adapting the Bard in the Age of Media Fandom

Nordic Noir, Adaptation, Appropriation

Nordic Noir, Adaptation, Appropriation

Adaptation and the New Art Film

Remaking the Classics in the Twilight of Cinema

Adaptation and the New Art Film

Remaking the Classics in the Twilight of Cinema

Adapting Margaret Atwood

The Handmaid's Tale and Beyond

Screening Contemporary Irish Fiction and Drama

Screening Contemporary Irish Fiction and Drama