McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History

Needle Work

A History of Commercial Tattooing in Canada

Jean Paul Riopelle et le Mouvement Automatiste

Through Post-Atomic Eyes

I Can Only Paint

The Story of Battlefield Artist Mary Riter Hamilton

Object Lives and Global Histories in Northern North America

Material Culture in Motion, c.1780 - 1980

For the Temporary Accommodation of Settlers

Architecture and Immigrant Reception in Canada, 1870–1930

Photogenic Montreal

Activisms and Archives in a Post-industrial City

Women at the Helm

How Jean Sutherland Boggs, Hsio-yen Shih, and Shirley L. Thomson Changed the National Gallery of Canada

Wendat Women's Arts

Jackson's Wars

A.Y. Jackson, the Birth of the Group of Seven, and the Great War

Unsettling Canadian Art History

Out of the Studio

The Photographic Innovations of Charles and John Smeaton at Home and Abroad

Casa Loma

Millionaires, Medievalism, and Modernity in Toronto's Gilded Age

Variable Conditions

Para-computational Arts in Canada, 1965–1995

History of Photography in Canada, Volume 1

Anticipation to Participation, 1839–1918

Needle Work

A History of Commercial Tattooing in Canada

Toronto Edwardian

Frank Darling, Architect of Canada’s Imperial Age

Classicism in Canada

Ambition, Utopia, Hubris

History of Photography in Canada, Volume 2

A Medium Unleashed, 1919-1969

Hunter, the Crown, and the Cameras

Joseph Idlout and the Image of Sangussaqtauliqtilluta

States of Observance

Contemporary Art and Surveillance Logic in Canada

Codex Canadensis and the Writings of Louis Nicolas

The Natural History of the New World, Histoire Naturelle Des Indes Occidentales

Museum Pieces

Toward the Indigenization of Canadian Museums

Rethinking Professionalism

Women and Art in Canada, 1850-1970

Official Picture

The National Film Board of Canada's Still Photography Division and the Image of Canada, 1941-1971

On Architecture

Melvin Charney, a Critical Anthology

Visibly Canadian

Imaging Collective Identities in the Canadas, 1820-1910

Family Ties

Living History in Canadian House Museums

Narratives Unfolding

National Art Histories in an Unfinished World