Experimental Film and Artists’ Moving Image

Experimental and Expanded Animation

New Perspectives and Practices

Experimental Film and Photochemical Practices

Experimental Film and Photochemical Practices

Memory and Intermediality in Artists’ Moving Image

Memory and Intermediality in Artists’ Moving Image

Moving Image as Public Art

Sidewalk Spectators and Modes of Enchantment

Moving Image as Public Art

Sidewalk Spectators and Modes of Enchantment

Durational Cinema

A Short History of Long Films

Durational Cinema

A Short History of Long Films

Darcy Lange, Videography as Social Practice

Darcy Lange, Videography as Social Practice

Barbara Hammer in the Seventies

Or, What a Body Can Do

Barbara Hammer in the Seventies

Or, What a Body Can Do

Expanded Nature

Ecologies of Experimental Cinema

Expanded Nature

Ecologies of Experimental Cinema

William Raban's Nautical Twilight

Fifty Years an Artist Filmmaker

Italian Experimental Cinema and Moving-Image Art

New Paths, New Perspectives

Annette Michelson and the Radical Aspiration in American Avant-Garde Cinema

A Critical Anthology

Experimental and Expanded Animation

New Perspectives and Practices

Making Images Move

Handmade Cinema and the Other Arts

Making Images Move

Handmade Cinema and the Other Arts

Experimental Filmmaking and the Motion Picture Camera

An Introductory Guide for Artists and Filmmakers

Experimental Filmmaking and the Motion Picture Camera

An Introductory Guide for Artists and Filmmakers

Experimental Filmmaking and the Motion Picture Camera

An Introductory Guide for Artists and Filmmakers

Experimental Filmmaking and the Motion Picture Camera

An Introductory Guide for Artists and Filmmakers

Artists’ Moving Image

Cinema as Archive

Artists’ Moving Image

Cinema as Archive

Rosa Barba

Experimental Cinema

Structures, Systems and Strategies