Cinema and Modernity

Cinema and Modernity

Cinema and Modernity

Post-War Cinema and Modernity

Cinema, Audiences and Modernity

New perspectives on European cinema history

Cinema, Audiences and Modernity

New perspectives on European cinema history

Photography, Early Cinema and Colonial Modernity

Frank Hurley's Synchronized Lecture Entertainments

Gendered Modernity and Indian Cinema

The Women in Satyajit Ray’s Films

Gendered Modernity and Indian Cinema

The Women in Satyajit Ray’s Films

Early Cinema, Modernity and Visual Culture

The Imaginary of the Balkans

Modernity And The African Cinema

A Study in Colonialist Discourse, Post-Coloniality, and Modern African Identities

Early Cinema, Modernity and Visual Culture

The Imaginary of the Balkans

Taiwan Cinema, Memory, and Modernity

Martial Arts Cinema and Hong Kong Modernity – Aesthetics, Representation, Circulation

Photography, Early Cinema and Colonial Modernity

Frank Hurley's Synchronized Lecture Entertainments

Possessed

Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema

Robert Paul and the Origins of British Cinema

Alexander Medvedkin Reader

Alexander Medvedkin Reader

Screening Modernism

European Art Cinema, 1950-1980

Film, Music, Memory

Film, Music, Memory

Shoot!

The Notebooks of Serafino Gubbio, Cinematograph Operator

Shoot!

The Notebooks of Serafino Gubbio, Cinematograph Operator

In Excess

Sergei Eisenstein's Mexico

Amorous History of the Silver Screen

Shanghai Cinema, 1896-1937

Amorous History of the Silver Screen

Shanghai Cinema, 1896-1937

Classic Hollywood

Lifestyles and Film Styles of American Cinema, 1930-1960

Classic Hollywood

Lifestyles and Film Styles of American Cinema, 1930-1960

Foundational Films

Early Cinema and Modernity in Brazil