“In this well-wrought book, Marcia Morris discusses the waysRussian writers have used the figure of False Dmitry to pose political,existential, and literary questions. … Morris argues that each writer’s approachto these questions expresses his relation to contemporaneous events as well ashis view of the distant past. The argument is framed by narrative theory andtrauma studies, and firmly grounded in studies of Russian history andliterature—the footnotes alone provide a detailed map of the book’s argument. …We owe Marcia Morris a debt of gratitude for reading, contextualizing, andanalyzing these works, including some that most of us would never encounterotherwise. This book is well worth reading.” —Sarah Pratt, University of SouthernCalifornia, Russian Review Vol. 78,No. 2