This is a book about the usual teacher-student relationship in composition courses. It disrupts and rewrites the commonplace conception of the relationship by revealing the uneven ways in which power is deployed in and around the classroom. And it offers a responsible alternative. The author not only offers teachers a way of learning about power relations at their own specific sites, but also works towards a more equitable redistribution.Drawing from testimonials about teaching practice published in the journal College Composition and Communication, Helmers explores conventions in this form of writing that portray students in a negative light and show the teacher to be powerfully triumphant in his or her creative pedagogy. Several prevalent modes of representation are discussed in the book, all of which define the students as distinctly different from the teachers, in other words, as an other.The texture of the work is rich because Helmers takes an enormous amount of post-structuralist theory and recasts it in the sphere of the teacher-student relationship, itself an underexplored realm.
Marguerite H. Helmers is Assistant Professor in the Department of English at the University of Wisconsin, Oshkosh.
Preface by Charles I. Schuster Acknowledgments 1. Another Brick in the Wall A Brief History of RepresentationsA History of Testimonials 2. Can't Get No Satisfaction The Tone of TestimonialsThe Historical ContextThe End Result 3. In Her Eyes You See Nothin g The Concept of DevianceThe Metaphor of IllnessThe Introduction of the Beginner 4. Unforgettable A Desire to Go NativeThe Creation of Orientalized StudentsThe Construction of the BeastA Laugh at the Natives 5. Angels in the Architecture The Changing Fortunes of TestimonialsThe Uses of Power in DiscourseTheory, Practice, and Teacher-ResearchThe Feminization of DiscourseA Woman WritingThe Rhetoric of RecoveryA Topoi for a Topoi Notes Bibliography Index